<
s
c

s
Home / SmellyBlog / Tagged: Le Parfum de Thérèse

SmellyBlog

Scents That Sing "Spring!"

What scents or smells make you so ecstatically happy that you want to sing out loud or jump up and down with joy?
I asked 13 other bloggers to help me answer this question and share with you our picks for perfumes to wear this spring. Scents that could make you feel giddy, cheerful and excited about life again. And my list includes 8 staples that I seem to return to for several years now and never fail to bring a smile to my face and a song to my heart.

I tried my best to bring you a list that has no melancholy in it whatsoever; but some of the scents have an inevitable touch of that emotion in them. And come to think of it, spring does too, because the flowers, as beautiful as they are in full bloom, only bring their very own death upon themselves by exhaling all their beauty in one powerful breath in this short, abrupt season exploding with life.

The perfumes that I find a little melancholy usually have a little powdery, bittersweet character (usually an effect that can be easily blamed on the presence of coumarin in some shape or form). Whenever these are mentioned, they will be accompanied with an asterisks, just so that you are properly warned (in case you are looking for a 100% cheerful spring).

Jasmine
Jasmine absolute, and, of course - fresh jasmine flowers of any kind, bring an immediate smile to my face. The bushes are usually dormant in winter, but come spring and warmth and they start building up their stash of star-shaped flowers that will reach its peak in the heat of the summer. There are so many jasmine scents that I love, but the ones that I associate and wear in the spring are Le Parfum de Thérèse, which I have come to associate with the season and with Passovers in Israel, because it’s when I worn it and fell in love with it first; and also because it’s so hot there at this time of the year that the balance between jasmine, basil and under ripe plum and melon is nearly the only thing I can wear there. When I have to stay in Vancouver in Passover I wear it to remind me of the happy times at home; and it also takes me through summer bringing a smile to my face every single time I smell it, no matter what the occasion or mood I’m in.

Citrus Orchards in Bloom
There is no scent with so much unconditional happiness in my mind as orchards in full bloom. The blossoms begin sometimes in March, and continues through April, usually coinciding with the celebration of Passover. I am still wondering why there is no citrus flower holiday in Israel. They really should make a Hanami festival of sorts out of it, but they don’t. Instead, the day after Passover has become a day of barbecue picnics that if anything mask the scent of any orange blossoms on the horizon. But that’s for another story…
The best way to experience orange blossoms is to be around then. If you live out of the citrus growing zone like me, you can forget about it unless you travel to a citrus destination. Because I can’t always travel to smell the orange blossoms, I created Zohar,
Another way for me to overcome that home-sickness is sipping on pomelo-blossom tea, a rare green tea that was perfumed in the same technique that jasmine green tea is made, by layering petals of pomelo flowers between the tea leaves and removing them once they’ve exhaled all their fragrant breath onto the tea. As a matter of fact, I’m sipping this very tea as I write it, and it transports me to my family’s orchard, early in the morning, when the shapely pomelo petals are still covered with dew and just begin to open and give away their clean, heady scent. And a far more modern and synthetic orange blossom associated scent that has become a spring stable is Narcisso Rodriguez, which is mostly by pure incident (because it barely smells like orange blossom at all), because I worn it in the springtime in one of my most fun spring travels to Israel as well.

Ume (Japanese Plum) Blossoms
It literally took me years to discover the scent of Vancouver’s spring. The most significant and emotionally charged is the scent of the ume (Japanese plum) blossoms. Ume blossoms are smaller and have only one layer of petals. They have a peculiar wildflower-like scent, very ethereal and heady, and at the same time a little powdery and bittersweet. It is more apparent on warmer days; so when early spring is rainy and gray, you can hardly notice their scent in the air.

The sakura (Japanese cherry) blossoms grow in clusters, and are way more showy and impressive looking (especially the ones that have multilayered petals like roses), but they are far less fragrant if at all.

Ume blossoms bloom earlier, usually beginning in January and on till March (depending on the temperatures, of course), and grace the street corner where I live. The ume and sakura blossoms make Vancouver a place worth staying in the springtime, and my only consolation for missing the orchards of Israel when I can’t go there. Inspired by these blossoms (and the Ezra Pound poem) I created Hanami*, which is what I wear almost exclusively throughout the hanami season in Vancouver. Another taste of it can be experienced if you eat sakuramochi at room temperature. The pickled cherry leaf that wraps this pastry adds this peculiar, flowery and bittersweet aroma to the red bean paste filling, and I know for a fact it has coumarin in it.

Fresh Freesias
I visit the florist regularly to get a fresh supply of freesias. I pick them based on their scent rather than their looks: the most fragrant will go home with me, and these are either white (which is more peppery) or yellow (slightly more full-bodied and fruity). I sniff each bouquet till I find the one… And I also have a favourite freesia perfume: Ofresia by Diptyque, created by the world renowned nose Olivia Giacobetti. This freesia perfectly balances the freshly ground green pepper scent of freesias with a little with no sharpness, and some sweetness in the base to make it addictive.


Lilies of the Valley
Other fresh flowers that are more rare to come by are lilies of the valley: they bloom in the spring, usually in May (this year I was lucky to find some in March, but they are gone again and should return in May as the florist informed me). I rarely see them in gardens, and when I do they look quite miserable (but smell heavenly just the same).

Diorissimo is the best lily of the valley scent in the universe that is not the fresh flower. But it’s more than just a lily of the valley soliflore – Edmon Roudnitska himself said he wanted to capture the scent of the little flowers as well as their surroundings, and even went to the extent of planting a patch of lily of the valley in his garden to study them. Diorissimo is particularly gorgeous in the parfum extrait formulation that I have from 10 years ago, where the oakmoss peeks through like the undergrowth of the forest environment of the lilies, and boronia, galbanum, jasmine and rose make the centre of the perfume vivid.

Lilacs
Now, this is not a scent without any melancholy attached to it. I have a sprig of lilac by my table and the real flower has more complexity to it than what we’ve been trained to think of as “lilac”. Besides the very high level of the light, woody-floral linalool that accounts in part for its cleanliness, the lilac on hand has a balsamic-sweet styrax undertone. It’s rare to find lilac scents that don’t smell like bathroom freshener’s or an old maid’s talcum powder; but two perfumes that I’ve met come very close to capturing the real scent plus adding a very personal spin to the theme:
Olivia Gioacobetti’s En Passant*, in which green cucumber and ink-like and starchy wheat add a contemplative, cool mist of lilac clusters; and Ineke Ruhland’s After My Own Heart*, where raspberry and heliotropin bring a lighthearted, romantic sweetness of girly scented stationary.

Mimosa
Scent that traveled from Australia to Provence and the Middle east, mimosas have an invisible wildflower scent that is heady and light and woody, with a little cucuber-coolness to it. My favourite mimosa are light and refreshing: L’Artisan Parfumeur’s Mimosa Pour Moi and my own Les Nuages de Joie Jaune. which literally means “clouds of yellow happiness.

Magnolia
After the cherry blossoms, magnolias have become almost a symbol of Vancouver in spring. There are so many trees and varieties, it would be difficult to describe all of them here. The two significant differences are white versus the pink ones. The white ones are very light and airy and almost woody-clean, as well as fruity like peach. The pink ones can be fruity, but sometimes they are very heady and turn almost wine-like and spicy (but not like mulled wine!). My favourite spring scent with magnolias in it is Opium Fleur de Shanghai. Again, this is by association, because this light summer-version (limited edition, unfortunately, like all of them), came out in the springtime. It just so happened to be in a very happy spring for me, and I worn it every day for several month. The magnolia is very distinct (and quite rarely used in perfumes in such concentration) and beautifully balanced with the resinous bitterness of myrrh, the sweetness of peru balsam oil and the spiciness of cloves. It’s luxurious and light and very easy to wear.

Spearmint & Lemon Verbena
Fresh herbs from the garden give me a sense of well-being, and my favourite of them all are lemon verbena and spearmint. I love picking these fresh and brew them into a delicate tisane together, sometimes also with lemongrass added. Moroccan mint tea is another favourite – with either green or black tea, fresh sprigs of spearmint, and generous dose of sugar (though not as generous as the Moroccans serve it with), perhaps even with a sprinkle of orange flower water!
One of the treats I serve to guests at my studio is my original Charisma tea blend, which is jasmine green tea with dried osmanthus flowers, fresh lemon verbena, lemongrass and spearmint from my balcony’s herb garden. In the wintertime I serve a modified blend with the dried herbs (most of which were hand-picked and dried by my loving mother). And for those of you too faraway to visit, Dawna have created for me an even more sophisticated version of a fine pomello blossom tea with the same dry fragrant herbs and osmanthus flowers.

Verbena and spearmint are those notes which I love in real life but less so in perfume. An exception is Spring Flower, which has a mint note and is another perfume that never fails to make me feel happy. I have nearly run out of an entire bottle, which says a lot.

Cantaloupe
Last year I spent a lazy afternoon in my hotel room in Grasse with a cantaloupe… I know, this does not sound good. But I assure you, even though it was only the two of us, nothing happened that afternoon behind those closed doors… Except that I couldn’t get enough of the fragrance that filled the room. Which is exactly why I took my time before slashing it open with the knife I bought for that purpose only. As it turns out (a couple of days later), This cantaloupe was not only the most fragrant, but also the most delicious, juicy and beautiful fruit ever.
Another cantaloupe encounter that trip was with Michel Roudnitska’s Emotionelle, a beautiful and sophisticated perfume centered around jasmine, violet and overripe cantaloupe.

Ayala’s Spring Essentials:
Le Parfum de Thérèse
Diorissimo
Emotionelle
Vanille Galante
 Zohar
Hanami
Spring Flower
Opium Fleur de Shanghai
Narcisso Rodriguez for Her (EdT)
Ofresia

Leave a comment sharing with us your spring staples, or any scents and notes that bring a smile on your face, and enter to win one of these prizes:
1) Mini parfum of Zohar
2) Tin of Charism Tea
3) TBA

Participating blogs:
Katie Puckrik Smells
Perfume Shrine
The Non Blonde
I Smell Therefore I Am
Notes from the Ledge
Scent Hive
Savvy Thinker
Roxana's Illuminated Journal
Perfume in Progress
All I Am A Redhead
Ambre Gris
Olfactarama
A Rose Beyond the Thames

After the Rose Fields

Roudnitska Garden

“Je ferai fleurir les pierres et chanter les oiseaux”
(I will let the rocks bloom and the birds sing)

I’ve never really got around to tell you what I did after the rose fields. I will now.

The taxi picked me up from the gate of GIP. It was driven by a lady shauffer, and as soon as I’ve given her the address, she jumped out of the taxi to ask another driver for advice on the route – revealing an attire that most women I know would reserve for a night at the concert hall listening to chamber music or contemplative choir pieces: a black buttoned shirt and a silver brocade skirt with a floral pattern.

On the way I have to admit, I was getting a little nervous. I was about to meet someone whose work and knowledge I admired greatly.

We drove to Carbis, about 20 mintues away from Grasse (traffic permitting) and she pulled off the freeway. There it was, and a metallic art-nuveau sign confirmed I was in the right place. It read: “Atelier Art et Parfum”.

I was a little early for my meeting and the place seemed so quiet it almost seemed as if its inhabitants were having a siesta. I finally found the courage to knock on a little door that had an office sign on it and a lady opened it and told me quietly that Michel will meet me shortly. I noticed an olive tree near the building. I pulled out my camera and than and there my battery, which struggled with death for a few days now finally gave in. This photo you see above is the last of them, which is great – because this way I could focus my attention entirely on my real senses without the camera to “remember” instead of me. Besides – Michel is a far more talented photographer than I, and have captured the beautiful garden that his father has planted and you can find his photographs online.

Now, Michel came down the stairs from the top floor of the Atelier. He was tall and pensive, just like the olive tree I didn’t take photo of, and was just as kind in person as he always seemed in his correspondence and photographs. We walked down the road and a lower level on the other side of the building revealed a lab full of bottles and drums of raw materials; and below it was the garden.

The garden was like no other garden in the world. Parts of it looked like a Japanese garden, and other parts like an the exterior of an Italian villa. The most magical point though, was standing right in front of a little patch of green leaves, which I knew right away were those of lily of the valley. Seeing them, even after the blossoms dried out, made my heart skip a beat.

The flowers were all gone (it was already the middle of May, and these plants need the most tender weather conditions to bloom – it was already too dry by then…). Nevertheless, there was nothing quite more powerful than staring at the patch of green leaves where Edmond Roudnitska planted while he was creating Diorissimo – which was the perfume I worn on my wedding day and one of the very first perfumes I’ve worn. It is told that he would crouch to the ground to study the scent of the flowers in their real surrounding – the dirt, leaves, moss and rocks on the ground… And there I am, standing next to no other then Michel Roudnitska, an accomplished visual and olfactory artist that continued his father’s yet has his very own, unique voice both artistically and from a perfumery point of view.

After we walked around the garden and saw the view of Grasse from Cabris, we went upstairs into the atelier, and sat on the balcony sipping orange juice and discussing what most concerned European perfumers at the time, and the rest of the world would suffer from after – the takeover of our art form by the EU beaurocracy, IFRA and the like. It is so sad to think that oils such as bergamot and oakmoss can no longer smell true to themselves after removing the “allergenic” molecule in them, which are an important part of their odour profile. With all the heaviness of the issue, it was clear to me that although this could make continuing the use of many beautiful natural raw materials in commercial perfumes, the human need to adorn themselves and their environment with pure, beautiful scents will continue, and while the legalities of it may become more complex and cumbersome, people will continue to want to smell good and connect with nature through her smells as they did for thousands of years.

On the mention of Michel’s artwork combining perfume with film, Michel spontaneously offered to screen some of them just for me. We walked to his home, which is right next door to the atelier and facing the beautiful Italian pond and sculpture. On the coffee table there just happen to be a few scent strips with a perfume in progress, which was beautiful, and had a dominant immortelle note (it was in Grasse that immortelle all of a sudden showed its versatile, albeit stubborn side to me, i.e. – beyond maple syrup). And that was also when I first got to smell Eau Emotionelle – a bold, beautiful jasmine contrasted with juicy cantaloupe and delicate violet petals. While preparing for the screening, Michel was also telling me about the vigorous perfumery training that he underwent with his father.

And then the private movie screening began… Michel was both the projector man and the senteur of his own creations. I was shown three pieces out of his 8 short films that make Un Monde En Senteurs (Wolrd Scents), each accompanied by a perfume that is misted in intervals into the atmosphere of the theatre (in this case – Michel’s study within his own home).
http://www.art-et-parfum.com/mondensenteurus.htm
I’ve been fortunate enough to be shown three amazing pieces:
Pangaea – Creation of the World Aboriginal Culture, which was showing imagery of Australia’s nature and aboriginal people, and was scented by a completely natural perfumer that was made entirely of plant essences native to Australia, such as eucalyptus, fire tree and what smelled to me like Buddha wood. I’m no eucalyptus fan, and this film and perfume alone made me not only intrigued by this strange, medicinal plant, but also curious for the first time about Australia’s nature and culture. It was so touching to experience both the scent and the visuals, as well as emotionally charged music (composed by Nathalie Manser).

The second film was called Aquarium – and was visually focused on the Polynesian lagoons and underwater life, beginning with what looked like a perfectly shaped shimmering pearl, and had beautiful flowing movement of dolphins throughout it. The scent for this was dominated by calone and coconut and I have to admit I did not feel too well smelling it and starting coughing a bit… The fragrance is described as “Salty sea-mist on the reefs and dried coprah in the coconut grove” on Atelier Art et Parfum’s website.

The third chapter in the world’s scented story was called Cherokee – and was about the Native Americans in North America. While I expected smoking sage, cedar and sweetgass, It smelled very incensey, rich woody and a little smoky - described as Cedar forests, tujas and tanned hides (Beaver, bear, buffalo).

And like all wonderful things, the visit came to an end with this vignette, and Michel drove me back to Grasse to my hotel and the next day I was back in school “as usual” but felt inspired for months to come.

Mental Notes: Praise for Basil


Basil leaves, originally uploaded by xxxrmt.

Basil in all its glory does not necessarily involve tomatoes. I had it in an ice cream last Saturday (La Casa Gelato on Clark & Venables), a Basil & Pernot ice cream, to be precise. It was just wonderful. Even when paired with a fig-almond scoop it was still marvelous: interestingly refreshing, delicious and original without being too spicy or weird. Despite its complexity of flavour it was very elegant.
And in perfume, nothing could make me feel happier than smelling basil with jasmine and citrus, as in Le Parfum de Thérèse, and ArbitRary, the latter being the scent I spent the most of yesterday with. The sense of euphoria this combination of notes gives off could be explained by the aromatherapeutic effects of cheerful happiness that they give off - both citrus notes and basil. A beautiful smelling anti-depressant if you will...

Mental Notes: SmellyBlog's Take On Parfum de Jour

Every day there are fragrances that make it for me. The smells of cooking, of plants and flowers or city odours in my surroundings, essences that I immersed myself in at my lab, and of course the perfume I chose for the day. It would be interesting to keep a daily log of little, mundane olfactory events that caught my attentinon.

Cooking:
Matza Brie frying for breakfast. It's amazing what a difference one little dish can make in creating a holiday atmosphere (or not, if you choose to not make it and miss out). Essentially, it's the scent of wet crackers dipped in eggs and pan fried...

Random Encounter:
My Pilates teacher's Gucci perfume this morning. I'm almost certain it's Gucci Rush but have to check it out to confirm.

Parfum de Jour:
Razala parfum oil. It's interesting how the rose and the oudh are coming out today on my skin. For the record, I've been wearing Le Parfum de Thérèse in the past few days as it reminds me of wearing it in the heat of Passover in Israel. It's hot here too, as long as I'm indoors and looking at the sun from inside, avoiding the chilly breezes.

This is going to be a new feature of SmellyBlog. Simply sharing the fragrances that made my day. I hope you'll chime in and tell us about yours. Not meant to replace the more in-depth features of this blog or interfering with its nature, but merely an excercise of keeping a daily olfactory (or is it smelly?) log, and making this webspace a little more interactive.

Favourite Tropical Body Products

Continuing the tropical theme, I want to share some of my favourite body products this summer.

Being a perfumer and an avid perfume wearer, I actually prefer my body products to be very lightly scents, if at all. Unfortunately, unscented body products often smell like white glue… So I usually opt for the more attractive options, usually with as many natural moisturizers as possible, and with a subtle scent that will not overpower the perfumes that I would like to wear, or better yet – will complement them somehow. Cocoa and coconut based products are the most fun to wear, and instead of overpowering other scents, they melt into the skin and leave it only lightly scented for a while. My newest discovery from only a few months ago, after years of using only unscented body lotions, was the Alba Botanica line, and in particular - their Hawaiian line. It is a delightful to smell, lightweight and makes the skin feel smooth and delcious.

I like both their Coconut Milk Body Cream and Cocoa Butter Hand & Body Lotion.
The Coconut Milk Body Cream Smells like coconut milk and a hint of pineapple, fresh and silky smooth. The Cocoa Butter Hand & Body Lotion is a bit heavier in texture, satiny-smooth, and nevertheless absorbs well into the skin. It is delicately scented with cocoa and honey.

Another coconut delight is Vancouver based Escents’ Coconut Escape Body Milk, which comes in the form of spray. An ideal solution for preventing stretch mark in your teenage daughters – all you need to do is attack her with this fragrant spray of tonka bean, benzoin and coconut, and the skin will become flexible and rejuvenated and resist the temptation to show signs of stretching.

I already told you about my love to Azurée Body Oil from Estee Lauder - a new take on the mossy scent Azurée from 1969. An interesting take on beachy scents, this includes incense, myrrh, vetiver and gardenia notes and a hint of allspice. It took me a little while to get used to the idea of spraying oil on my body – but the scent is gentle and heavenly, and the oil is very lightweight. The scent is more dominant than the other body products I mentioned above, but it is light enough to wear another perfume at the same time, if desired. I love it on its own – one of the very few “perfumey” body products that I don’t find overwhelming. The oil itself includes olive oil and macademia nut oils, and feels as gentle on the skin as it is to the nose.

For the face, I am even more picky – cleasers and moisturizers have to not only smell good, but also absorb well, perform, and most importantly – be hypoallergenic. My favourite for years was Jason Natural’s Tea Time Green Tea Moisturizer. It had a green tea and nutty scent, and was perfect in almost everyway. Recently, I stuck with my new discovery of Alba’s Jasmine & Vitamin E Moisture Cream, which has a lovely scent of jasmine that goes particularly well with Le Parfum de Thérèse...

P.s. Painting of Gauguin from Gallery Lafayette.

P.s.s. Tomorrow: closing the summer with figs.

  • Page 1 of 2
  • Page 1 of 2
Back to the top