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Reseda & Weld: Perfume & Dye Plants

Reseda & Weld: Perfume & Dye Plants

‎‏Last weekend, we explored the intersection between natural perfume and natural dyeing. Weld is a star dye plant whose darling sister, mignonette (Reseda odorata) used to be produced as an absolute for perfume. White Reseda (Reseda alba) grows in Israel every winter and spring: its modest weedy appearance and rather stinky leaves will not prepare you for the magical scent of the flowers - a marriage of tuberose, violet leaf, orange blossom and galbanum. It was a fragrance I was totally oblivious to growing up, and only discovered 3-4 years ago, after moving back here, completely by chance. 

In the photo above is my new Reseda perfume (it was features in the 2022 Spring Subscription Box), on a stunning backdrop of weld-dyed and ecoprinted fabric by Hasia Naveh. Below is mignonette in its natural habitat in my village, Clil. 

 

 

The Purple Dress - Music, Colour & Synesthesia

The Purple Dress - Music, Colour & Synesthesia
This Saturday we explored the concept of synesthesia through visual pairings of naturally dyed (logwood and cochineal) and ecoprinted fabrics in all shades of purple; plus the scent and sounds of The Purple Dress perfume and the chromatic song which inspired it..

In the photo is The Purple Dress perfume and a stunning collection of purples - printed and dyed fabrics by Hasia Naveh:
Purple scabiosa flowers, which produce the beautiful greens I've shown you in yesterday's post, produce purple when used to make botanical inks, or simply draw with the petals. Dyestuff used to achieve purple shades are cochineal (ranging from magenta and fuchsia to a lavender purple, depending on how the fabric is treated and the cochineal manipulated). Logwood is used to make darker and cooler purples. 
The synthetic connection in The Purple Dress is of both sounds, colours and scents. The song that inspired its name is very chromatic and nuanced, which creates a mystery and also some ambiguously melancholic mood. I felt inspired to centre the perfume around Champaca extracts (concrete, absolute and CO2), which to me is a very "purple" scent. If you've never smelled champaca, it would be hard to understand this. Maybe it's the inherent combination of star anise, black tea and orange-blossom like notes that make me see and feel very luxurious purple colours, more specific, glorious fabric, rich in both texture and colour, with depth and complexity. What I envision when smelling Champaca is very similar to what you see in the photo with all of Hasi's fabrics. 

Scent & Synesthesia: Grin

Scent & Synesthesia: Grin

There are 295 kinds of green, making it the most diverse colour in nature. Green is also the colour of the heart chakra, and is associated with life and vitality, the element of earth and a healthy planet. 

Tomorrow, my friend Hasi and I will co-host an event dedicated to the intersection of colour and scent. We will demonstrate some of the techniques for extracting colour and fragrance from plants,,explore the concept of synesthesia, and how our personal history is intertwined with vines, and strewn with the healing beauty of leaves and flowers. In the photo is Grin perfume and a stunning rainbow of greens - flower- dyed fabrics by Hasia Naveh.

While green is a colour that is almost synonymous with nature, it is not as straightforward to achieve using natural dyes. Often what we'll get is either an olive green (i.e.: with plants that also contain tannins, such as pomegranate), or myriad uninspiring yellow-greens (from carrot, for instance). They tend to have a muted quality. Grassy green is usually achieved using weld (a very valuable type of yellow) layered over indigo.

The particular stunning, vivid range of green shades you see in the photo was achieved from a dyepot of scabiosa flowers, grown by Hagar Zachar, a natural dyer and flower horticulturalist from Alon HaGalil. The variety of shades is due to using different types of fabrics (i.e.: linen, cotton, silk) and also experimenting with either fresh or dried flowers. Another factor in natural dying, is when is the fabric dipped in the dyepot. Generally speaking the earlier dippings will absorb the brightest colours. The last additions to the pot, when the dye is much weaker, may achieve pastels. And of course the length of dipping time is also a factor. 

Bonus: Hagar's presence and participation in our event is a pleasant surprise (an idea Hasi came up with last minute, and we were so fortunate that Hagar was able to say yes!). She will be showing us more flowers that are suitable for colour production, on either paper or fabric. 

Grin perfume of course plays on the sound of "Green" and "Grin" - and who wouldn't smile if they're surrounded by luscious green plants, or more specifically, observing the first sprouts of green grass come autumn and the first rainshowers (if you're living in the dry parts of the world); or shoots of green from bulb plants in the spring (if you live in the parts of the world where the dead season is winter). Green as a symbol of new beginnings, and pretty optimistic at that.

The scent is made of various green-smelling and green-coloured fragrant botanicals: Galbanum, with it sharp, cut-grass and parsley personality; boronia, a delicate flower with beta ionone at its helm; violet leaf, with it green cucumber-like scent, watery and mysterious; green pepper (because it has a green colour, of course), green oakmoss, and vetiver root, which brings another shade of green that is both cool and earthy. 

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