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Narcissus Absolute

Narkiss Blue BG by Dror Miler
Narkiss Blue BG, a photo by Dror Miler on Flickr. 
There is no denying it. The relationship between narcissus absolute and the living flower is nil. Void. Nada.

If it wasn't for the name, there would be nothing in it to suggest the intoxicating perfume that linger in the air in mid-winter in the Mediterranean region. When a Narcissus tazetta* is around and in bloom, you can't miss it. The humble little bulb plant often hides between thorny bushes but the scent cannot conceal itself. Little pillars carrying bright shining stars that seem to have a face and a character of their own. The flowers radiate a most audacious, heady, refreshing, intoxicating and inviting aroma.

On sunny winter weekend, after a night of showers, we would jump in the puddles and the scent of narcissus flowers will stop us on their tracks. We'd look around for the source of this lovely scent (and after a year or two in the village, noticed they will usually show up in the same place - which is only logical for an endangered bulb plant). But once coming closer - there is a certain point when you're too close, and the scent is almost repulsive, reminiscent of ripe corpses and feces abandoned in some ancient battlefield.

The absolute of narcissus, while certainly haunting, as a different story. It has a certain voluptuous darkness about it, yet is also honeyed, greenish and soft. Narcissus being related to tuberose, it is no surprise to find relationship there - tuberose-like character but not nearly as dominant. Not quite powerful as to bring to mind any of the dark tales of doom associated with this flower in Greek mythology. Like its tuberose cousin, it is heady yet waxy and smooth, green and also slightly buttery and powdery. There is also an underlying sweetness reminiscent of dry hay-laden meadows and wet soils it brings to mind the surroundings of a Mediterranean winter landscape rather than the aroma of the flower itself. 

Coming back to the lab this morning for round 3 of my narcissus perfume, I'm now compelled to tell the story of the winter meadow, rather than a standalone flower perfume or a soliflore. I wanted version .03 (created on 03.03.2014) to feel like that haunted moment when you spot a rainbow in the cloud. The realization that some mushroom have grown overnight after the rain, within arm reach of where the narcissus flowers are hiding.

* The cultivated plant Narcissus Poeticus is also used for extraction. So the variations in scent also are due to the variations between these particular species, not only the extraction method or the locale.

Crisp Linen

The 2nd version of my laundry scent is a crisper, cleaner and sharper interpretation. The key notes are lavender - the classic linen scent; and petitgrain - which is simultaneously citrusy, leafy and flowery and with a very clean edge to it. The scent I've created reminds me of crisp linen, actually. Stiffened by the sun, and taken off the laundry line before nightfall will dampen or soften it.

I've tested it today, and it's wonderful both for the wash cycle (the laundry comes out smelling fresh and clean, with only 5 drops of the essential oil blend). Another 5 drops or so can be placed on a cloth or woolen dryer ball to give the laundry an extra oomph. And there are many other versatile uses for the blend which I will tell you about once it's ready, packaged and on the shelves!

I'm aiming for an April launch at the co-op boutique Giving Gifts & Co I'm part of, and am curious to see how the laundry line will be received in Eco-conscious Main street! 

Spice Pirate

Épice Marine arrived after much anticipation (it's about 4 months late) to the Hermès boutique on Burrard & Alberni in Vancouver. The name alone, suggesting a study in contrasts, promised intrigue; and ocean being one of the greatest sources of inspiration for me, I was very much looking forward to experience Jean-Claude Ellena's take on it.

The first imagery that the fragrance conjures for me is that of a spice pirate ship with an unusually scrubbed-clean deck. The distinctive character of calone gives a metallic backdrop to warm, diffusive spicy notes of cumin and cinnamon. It's as unexpected as the lime and cloves combination in coke; but unlike the beverage - there is no sugar to mediate between the two edges; and the feeling is of two separate entities - rolling in heaps of warm, powdered spice against the a sharp and cold stainless steel blade. Lemony notes of bergamot combined with Szechuan pepper come to the fore and give temporary relief from the fishy odour of calone, but not for long. Spacious hedione combined with slightly indolic jasmine notes, and accentuated by a distant breeze of seashore at low tide contribute another point of intrigue. But only long enough for me to figure out what it reminds me of...

The piracy goes deeper than that briney scene at the deck: the composition is a mirror image of Edmond Roudnitska’s first perfume for the company (and now sadly discontinued) - Eau d’Hermès. It is no secret that Jean-Claude Ellena is infatuated with this Roudnitska creation, and in Terre d’Hermès it was explicitly stated. Of course influences are fine - especially when the nose in question was the student of the great master. Besides, being an Eau d’Hermès lover, why should I care if there is a similar perfume offered by the same house?

The reason is, that there is something a bit off about this scent. It does not feel balanced, the use of calone make it smell generic and lackluster. And to me this feels almost like a mockery of the original, rather than an homage. 

Once the confusing impressions of this perfume's opening lines fade away, I'm left with a very generic marine scent that sort of has a presence just enough to distract me occasionally, but never to delight or intrigue any further. And by the time we get to the dryout, it is very faint already. The notes chosen are not the issue. It's the composition and the harmony - if only there was more room for the seaweed absolute and oakmoss to speak up, the saltiness of the dryout would have been more prominent, evocative and memorable. Seaweed absolute is an extremely difficult note to work with, but I still wish it had more presence. It would have made this truly a piece of art, rather than a conceptual, light and crowd pleasing fragrance. 

I realize this is not the style that Ellena is after with the Hermessences,  but in this particular case it feels like a missed opportunity. Épice Marine is perhaps the only perfume that's truly intriguing in this collection, telling a story that can be relatable to others besides the creator and with fascinating raw materials to paint that picture. It has all the making of an interesting perfume, except that it doesn’t work. 




Top notes: Cinnamon, Cumin, Calone, Bergamot, Szechuan Pepper
Heart notes: Hedione, Jasmine
Base notes: Seaweed Absolute, Oakmoss

The Sound of Scent



Fascinating short documentary with composer Stuart Mitchell in Edinburgh, who dedicated the past 10 years of his life to translating the DNA codes of plants into musical frequencies. The film focuses on the code that's responsible for the scent of rose. The code is than arranged for accustic instruments - in this case the composer felt that the scent of rose is most accurately portrayed by the sound of flute.
Thank you to Shelly Waddington for the hint!

Rekindling The Romance of Orchards



The most touching perfume commercial I've seen in a while! Directed by Giuseppe Tornatore (Cinema Paradiso). It brings a fresh and convincing angle to romance, courtship and the power of scent that has long been absent from this genre. Oh, and it is for Dolce & Gabanna new perfume "Dolce". I hope it smells true to the movie.


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