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Eau de Mandarine Ambrée

mandarin by kierobau
mandarin, a photo by kierobau on Flickr.
For a cologne with the the adjectif amber in the title, Eau de mandarine ambrée is surprisingly green. And cool.

True to the eau de cologne genre, eau de mandarine ambrée begins with a rush of bitter orange zest, whose juicy tartness is only intensified by undertones of passionfruit*. The mandarin itself is rather tart as well, rather than the characteristic sweetness of Citrus reticulata. Amber plays an interesting role, giving a cool presence rather than sweet-confectionary. Rather than embodying the honeyed and perhaps floral nuances of mandarin, it recalls crushed leaves and cool greenery in the shade of an abstract glass orchard.

For an eau de cologne, this has an astonishing longvity, although true to Ellena's style, it remains quiet and vague throughout. The amber lingers on and on - it's a clear, cool and transparent amber, not nearly as sweet as those with rich vanilla absolute and labdanum resin. Instead, it relies on distilled resins and balsams (Peru and copaiba balsams, as well as less-sweet labdanum isolates), and synthetic molecules which I know nothing about**.

The concept of amber within the refreshing, light composition of citrus and herbs is not new: Spanish-style eaux de colognes are long-known for incorporating cistus, the plant bearing labdanum resin, and an essential component of ambers. Cistus has a coniferous, herbaceous facet in addition to its resinous-amber aspect. Ellena plays with a similar concept, while conjuring modern ambery elements that carry the illusion of crushed chilled leaves and mandarin pulp to control the sweetness of amber. 

* Thus continuing the theme of fruit in the refurbished eau de cologne series: Eau d'Orange Verte had the addition of mango; and Pamplemousse Rose had rhubarb ( not botanically a fruit, but considered as such by North American cooks...). The Jardin series features fruit more consistently: Fig in Mediteranee, green mango in Sur Le Nil, cantaloupe in Apres la Mousson, and pear in Le Toit.

** Except that I can recognize this as the amber same I've smelled years ago in DiorAddict, Kingdom and Nu.

Let 'Em Eat Toast


Bakers of the world must be feeling threatened by the recent low-carbohydrate and gluten-free diet fads. The Federation of Bakers (you didn't know such an organization exist? Neither did I...) has launched a limited edition fragrance bearing the bitten-off label Eau de Toast during London Fashion week, piling yet another challenge for the hard-working models on the runways, being adorned with clouds of this buttery odour.

Wishing a successful Fashion Week to all of London's model, and an easy fasting during Yom Kipur this weekend!

Green Madness

Summer girl by Zhanna_Minina
Summer girl, a photo by Zhanna_Minina on Flickr.
Зеленое Безумие (Green Madness) by Anna Zworykina is about hay stacks and citrus, and is a fougère in the most natural meaning of the way. At the heart of the matter lays lavender absolute: as velvety as it is herbaceous; as earthy as it is ethereal, reminiscent of the last days of summer, where the hay is at its driest, and the sun a tad gentler. An evening stroll in the fields of vegetal death might reveal some hidden life: a wild carnation here, or the regal flowering bulb of sea squills (Drimia maritimia) there, proclaiming the arrival of autumn and the death of summer...

And all of a sudden, the burden of the heat began to lift brings relief mingled with sorrow: the bittersweet farewell to summer's perceived freedom (in reality it keeps me sealed indoors even better than the rainy season). And that's how nostalgia is born.

Fougère has a strange tendency to bring on soft memories, yet has strong masculine nature: strong arms rolling bales of hay, working the fields, the freedom and the abundance of sweetness on a balmy summer night. Green Madness has all of that, and also remains a tad quirky, working unusual cognac notes into the heart, yuzu and tarragon into the otherwise lime-centred head notes, and putting accent on woods along the mossy base. It's may not look like a classical fougère because of the absence of niether coumarin-dominated note at the base nor lavender and linalool notes in the top; but it sure has the overall feel of a fougère, even if unintentionally (the perfumer-creator categorizes it as a "chypre" but I beg to differ). Technically, I can explain it by the presence of coumarin in both lime and lavender absolute. Also, the Himalayan cedarwood has an affinity with rosewood's linalool-rich personality. As with impressionism, it's the overall picture that matters, not the exact details. There are several other brush strokes of unrelated colours  - yet if you step back you'll see that it is, after all, a bale of hay.

Top notes: Lime, Tarragon, Yuzu, Lemon
Heart notes: Seville Lavender Absolute, Green Cognac
Base notes: Oakmoss, Himalayan Cedarwood, Vanuatu Sandalwood

Monserrat

Montserrat Orange is a strange shade of orange: depending on the light and context, it can appear rosy, like the pink glow of dawn, or turn into a pale, warm apricot in sunset.

Likewise, the fragrance Bruno Fazzolari named Monserrat walks the fine line between dewy violet and green tea, and dusky leather and dusty old books.

Monserrat begins on a very bright, airy notes of green tea, iso-E super and violet leaves. Slowly but surely, a raspy yet aloof voice of wet leather and whitewashed walls sneaks in, and Monserrat becomes more musky and melancholy than fresh.

Top notes: Pink Grapefruit, Carrot Seed, Apricot
Heart notes: Violet Leaves, Jasmine, Green Tea
Base notes: White Musk

Five by Bruno Fazzolari

 
What's most unique about Five by Bruno Fazzolari is its context, as part of an art show, featuring paintings of one non-representational space from four perspective. The fifth piece is the fragrance that bears the title of the show, Five. 
 I haven't seen the images in person, but Five brings a very cold yet lively feel. Cold wet white tinted with cobalt blue and with scratchy and fidgety brush strokes that tease with vibrant, almost-primary colours. Five feels like a flickering neon light of mint and lemon, yet keeps itself contained within a realm of rather woodsy entities.  

Five is a modern interpretation of the Eau de Cologne genre, bringing forth woodsy and mineral elements with the classical backdrop of citrus and herbs. The briskness of mint is mingled with orange, cedar and oakmoss. Copious amounts of jasmine-y hedione create airy space among all this brings to mind the iconic Eau Sauvage. It's overall character is more masculine than feminine, which makes one wish men would wear cologne more often when it's so sticky outside.

Top notes: Mint, Sweet Orange, Rosemary, Lemon
Heart notes: Jasmine, Hedione, Petitgrain
Base notes: Oakmoss, Musk, Cedar
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