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SmellyBlog

Mental Notes: Mix and Wear

Today I've been mixing a trial version of an Epice Sauvage reformulation, so that's what I'm wearing at the moment.
To the original formula, I've added two notes I've been dying to add to Epice Sauvage for a long time: ginger and orange blossom.
I still can't tell if I like the original better or this new version; better let it sit and mature a bit before I cast any judgement.

Bitter Orange or Bergamot - The Giving Tree Award Goes To Whom?

Common knowledge is not always correct, and the main reason this happens with perfumery’s building block is simple: the widespread use of synonyms and various traditional names for particular oils rather than using the more accurate and reliable Latin name of the species of origin.

It is therefore not so surprising that bit by bit, many perfume aficionado as well as amateur DIY perfumers were lead to believe that it is the bergamot (Citrus aurantium var. bergamia) tree that provides the perfumer with the generous palette of oils of bergamot, petitgrain, neroli and orange flower absolute.

This is, however, very wrong! The Giving Tree Medal should be awarded to the Bitter Orange Tree (Citrus aurantium var. amara). Ther names for the bitter orange tree are Seville orange, sour orange and bigarade orange.

This citrus subspecies is very resilient of disease and therefore is used for grafting other citrus subspecies (i.e. sweet oranges). It bears very sour and bitter fruit that is inedible for the most part (except for use in marmalades, because of its high pectin content).
Despite its very limited culinary use, bitter orange is held in high regards from an olfactory point of view, supplying the perfumer’s organ with a few priceless essences:

1) The unusually floral, sparkling bitter orange oil from the fruit’s peel, which has a dry, bitter aroma with sweet undertones. It has excellent uplifting qualities and blends beautifully with forals, showcasing their beauty like no other citrus does. This oil is expressed from the peel (though in some countries, after the expression the peel will be submitted to further extraction by steam distillation, which provides a very poor oil, often mixed with the expressed bitter orange oil to adulterate it).

2) The middle note of petitgrain bigarade, steam distilled from the leaves and twigs of the tree after they are pruned. This is a fresh, dry, aromatic, astringent green-leafy yet citrus note, most prized for its astringent presence in colognes and aftershaves. Other petitgrain essential oils are available in far lesser quantities, such as: petitgrain lemon, petitgrain combarva (from the kaffir lime tree) and petitgrain cedrat. The majority of petitgrain oils available though are from the bitter orange tree.

3) Orange flower absolute – produced by solvent extraction from the same flowers of bitter orange. This produces an essence that is a base to middle note, and is very deep, rich, honeyed quality. It shares some similarities to the more indolic jasmine absolute, yet with a very distinct citrus tartness. A complex building block that is valued for its balance between sweet and tart, floral and fresh. It is used in colognes and many men’s fragrances to add a warm yet fresh body to the fragrance. It is also used in many floral bouquets and oriental compositions, adding a sensual complexity and vivacity.

4) The heart to top note of neroli – this is the steam distilled essential oil from the flowers of the tree. Neroli essential oil is one of the most expensive essential oils. It was named after the princess of neroli, who favoured this scent like no other, and used it to scent herself and all her belongings. Neroli essential oil has unique calming effect on the mind, and was therefore used to reduce the anxiety of (virgin) brides (it is also traditionally used in bridal bouquets). Neroli has a sweet yet clean and dry ethereal quality, it’s very delicate and light. It is often used in colognes as well as floral composition to add a light floral lift.

5) Orange flower water is a by product of the neroli production: some of the aromatic elements of neroli are water soluble, and therefore stay in the water in the process fo distillation. The same process happened with the steam distillation of roses, which in turn provides us with rose water. Orange flower water is used mostly in food (to flavour sweets and baked goods, particularly in the Middle East, Mediterranean region and India) cosmetics (it makes a fantastic gentle tonic on its own, for oily skin or acne prone skin, yet without causing any harm or drying; it is also used as a base in lotions and other cosmetic preparations). It can be also used to top off various Eaux (Eau Fraiche, Eau de Cologne and Eau de Toilette), and can be used as a fragrance on its own in warm weather. Click here for an excellent recipe for the Basbousa cake – a semolina cake made with yoghurt and an orange flower water flvaoured honey-syrup.

6) Orange flower water absolute is a further process of the orange blossom water. It is similar to orange flower absolute, but is more sheer, honeyed and somehow smells watery as well. It is used as a heart note.

Bergamot orange, on the other hand, provides us only with the oil of the fruits’ peel, which has the disctinct bergamot aroma – green, floral, peculiar yet citrusy, and very heady. It is used extensively in flavouring the Earl Grey tea, and that’s how bergamot is most known to the public. It is also used in Italy and Greece in certain marmalades and candied, but this is not very common.

Images are courtesy of Wikipedia.

Abstract Orange Blossoms

The next two reviews are devoted to one of the most enchanting floral essences of them all: orange blossoms. I have only two more days left in Tel Aviv & Jaffa, which was famous for its orange groves and citrus orchards. And so I decided to revisit two perfumes centered around orange blossom, yet very different from one another: Orchid by Aftelier, and Narciso Rodriguez Eau de Toilette.

While Aftelier’s Orchid is an abstract orange blossom built around the genuine essence of the flowers, Narciso Rodriguez creates the illusion of orange blossom while using next to none of the true flower essence, and is surrounding the idea of synthetic musk more than anything else.

Tomorrow is the Holocaust Rememberence Day, so no reviews will be posted to honour the day.

Narciso Rodriguez - Part Two


Calla Lilly B&W, originally uploaded by brianchapman.

Narciso Rodriguez is a quirky yet very wearable perfume. It’s equally mundane and unique. It can be easily dismissed as just another test-tube fragrance, or as a non-scent if you have musk anosmia tendencies…

Starting with a nail polish and a boozy note, Narciso may give off the impression of having barely any scent of its own besides that of the carrying alcohol. It’s light and bubbly as a just-uncorked champagne, and like a good champagne, it can become quite addictive once you become used to it… It's also a bit floral, yet there are no real flower notes there. Just an abstract suggestion of orange blossoms and perhaps even glimpses of osmanthus wannabes. The woody notes which are said to be vetiver remind me more of flour and rancid ground walnuts… A tad of light honey poured on skin and than licked away, leaves a smooth, sensual, faintly-woody and musky-clean trail is the best way I can describe how Narciso Rodriguez smells once it settles on the skin. When it settles on fabric, it may remind you of your favourite laundry detergent and fabric softener…

You may recall my struggle with Narciso Rodriguez a while back. I was equally intrigued and taken aback by its composition. It presented a challenge to me with its very different aesthetic concept: it radiates out, yet when you come near to understand it better, it slips away; a scintillating illusion of a fragrance rather than a real olfactory being. Perhaps it’s the idea of musk vs. amber that was intriguing to me. A sneaky yet alluring phenomenon… A perfume that radiates energy that cannot be tracked to the source.

Writing a review for Narciso Rodriguez was further delayed because I think that Cait Shortell
did it better than I could ever do it, so I encourage you to read her fascinating review as well as the interesting visual connection she discovered to the work of Imogen Cunningham.

Narciso Rodriguez smells particularly wonderful on fabrics (where it will last for days, but not in an obnoxious way like other, very heavy perfumes do;To my surprise, I was able to wear other perfumes even if there is some of it left on my sleeves).

The above review is for the EDT, which is my favourite formulation, seconded only by the pure parfum (comes in a roll on with a black cap). I stay away from the pink bottles in this line, and find the Musc for Her to be too persistent overall though it has its own charm if you are looking for a linear, long lasting musk oil. It's a scent I'll never be without.

Narciso Rodriguez was designed by Francis Kurkdjian and Christine Nigel, and won the Fifi award for Women's Nouveau Niche fragrance in 2004. I believe that this perfume embodies a landmark in modern perfumery and perhaps a new fragrance sub-family of modern non-animalic musky-florals, and will see many followers, in additions to some that we already smelled such as Lovely by Sarah Jessica Parker and Ralph Lauren's Pure Turquoise.

Aftelier's Orchid

The star of the show in Aftelier's Orchid is orange blossom, masked by a contrasting olfactory context to reveal an imaginary fragrance of an exotic orchid hidden in the midst of a tropical swamp. The flowers are floating above musty jungle-dust of toxic purple mushrooms and thick marsh water that is bubbling with silent life and violent decay. The euphoric and intoxicating fragrance lures us through the deadly water to find out more about its mysterious source and become illuminated by its beauty.

There is no true orchid essential oil (except for vanilla, of course, which is produced from the fermented pods of the vanilla orchid). In fact, orchids have a long history in perfumery of being "faked” by the perfumer using what is often referred to as a "compound" - an array of natural essences and synthetic molecule to portray either an imaginary scent or to replicate a scent in nature that cannot be distilled from the original plant or flower.

Mandy Aftel, one of the pioneers of Natural Perfumery, does it with her Orchid solid perfume. While I can't say that this scent reminds me of any particular orchid I’ve ever smelled - I can attest to the originality and imagination that shines in this perfume.

In Orchid, Mandy Aftel artfully paired the sunny, cheerful and spring-like floral note of orange flower absolute with the mysterious and deep aroma of shiso leaves. Shiso (aka Perilla) is a Japanese herb used to flavour meats, soba noodles and sushi. It has a strange and unique scent - warm, herbal and powdery all at once, green and with a slightly cumin-like undertone. The result is stunning and unusual. The base is a subtle sweet vanilla. The only problem I have with this scent is that it doesn't last on my skin for as long as I’d like it to; yet the immense pleasure of dipping my fingers in the elegant silver compact makes up for that, and exemplifies Mandy’s infectious passion for solid perfumes.

Images from the film Adoptation, courtesy of IMDB.com.
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