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Autumn List

Autumn 2013 by Ayala Moriel
Autumn 2013, a photo by Ayala Moriel on Flickr.
Time for a Fall 2013 List! I'm always fascinated by the majestic abundance of this season. Rich colours, warm textures, mysterious transitions and intriguing transitions take place. Flaming leaves make room for dark, barren trees and the sun is gradually replaced by shadows and hidden growth process. My favourite scents for fall usually are smoky-leathery-tobacco or Chypre, and this season is no exception. However, I'm happy to discover some new beauties every year to expand on these themes. Life is never boring when there's perfume!

1) Mitsouko
I enjoy Mitsouko year-around, but it's not fall without it. I've mostly reaching for the Eau de Parfum, which has a light dusting of cumin. In the winter it's time to pull out the parfum extrait, which has more pronounced peach aldhyde, orange and vanilla notes; and spring and summer are times for the lighter, more citrusy and dry-woody.

2) Anima Dulcis
My new discovery this year at Barneys in San Francisco has turned chilly autumn mornings into a delightful experience. Anima Dulcis wraps around like a halo of sweet steamed milk, a cloud of spices and brown hues of caramel, dark chocolate and fallen leaves.

3) Forest Walk
Once you get beyond the musty, realistic wet earth and rotten leaves crunching beneath my feet - my brisk walking warms up my skin to reveal the woody-balsamic sweetness of black hemlock absolute, rockrose resin and moss. True to its name, Forest Walk conjures the imagery and tactile sensuality of a walk in the woods in fall; and like a vigorous stroll rejuvenates as it reconnects to earth and the seasons.

4) Magazine Street
Sophisticated, seductive and complex, Magazine Street is not exactly a seasonal perfume, as I can see myself wearing it year around. I just so happen to finally have gotten enough supply of it to lavishly enjoy it as I please. Rooty vetiver and botanical musks make it truly sing on the skin, alongside its Southern beauties of blooming magnolias. It blends so beautifully with the skin, creating a unique aura around you.

5) Cocoa Sandalwood
Surprising combination of powdery, warm sandalwood with a dust of cocoa and - the surprise - intriguingly violet-y osmanthus. Cocoa Sandalwood is a quiet, soft-spoken creaminess that is very comforting.

6) Egoiste
On my last stopover at Schipol airport, I picked up a gigantic bottle of this unavailable-in-North-America masculine gem. It is the younger sibling of Bois des Iles. Creamy sandalwood brightened by light rosewood and citrus, and hint of aldehydes. It's not as spicy and creamy as its sister, but is just as classy and lovable. Equally great for black-tie events or an evening cuddled in your favourite woolen wrap reading a book by the fireplace. 

7) Lampblack
Fall being a time of transition and contemplation, writing (or drawing) in one's journal is one of the best ways reflecting on the inner life. Black India ink serves this purpose most dutifully and truthfully. And that is the core of Lampblack - a mineral, inky concoction of smoky cyperus (nagramotha) and earthy vetiver, sulphuric grapefruit and flamboyant pepper.

8) My Vanilla
Mysterious and grown-up, this beautiful and original creation is about vanilla's seductive power and exotic nature. Paired with dry cedar, warm spices and smoky-sugary notes. In contrast, there is also strange and unusually green-resinous mastic note and heady champaca and orange blossom to create a remarkable oriental veil.

9) Volutes
Wood varnish, burnished pipe, tobacco, dates, vanilla, musk, honey and incense... Volutes is multi-layered and complex yet addictively easy to wear. It's wonderful to finally have a "darker" Diptyque scent enter the world.

10) Feuilles de Tabac
One of the most intriguing perfumes from the tobacco genre, and definitely my favourite from Miller Harris - though I've been giving it far less attention than it deserves on this blog. Wearing it instantly boosts my confidence, but not in a tacky "I'm now assertive" kinda way (aka what you'd imagine a public speaker to put on before doing a TED talk). It just creates a sense of strength and courage. It's melange of tobacco, cascarilla bark and pimento berry creates is out-of-the-ordinary, although immediately conjures a very masculine presence. I love that bold opening, and even more so what it morphs into, when the softer nuances of tobacco emerge, wrapped in patchouli and garnished with tonka.

What are your fall favourites this year?

Lampblack

Lampblack by Bruno Fazzolari
Every evening before sunset, the preparations for the lightless hours commenced: father would fill the lamps with petroleum, trim the wicks and replace the spent ones; and mother would clean the soot off the fragile mouth-blown glass shields with a round bottle-brush. This job had to be done well ahead of time to ensure they are completely dry. Failure to do so would result of the glass exploding into shreds once the heat of the flame kisses the damp glass.

This is how I grew up, in the dim light to do the homework to in contrast to the blasting Mediterranean sun. Moths and fireflies will gather around the lamps and candles, often sacrificing their tiny lives by getting too close to the light... If you were too light-greedy by raised the flaming wick - the exact opposite result will be achieved: would  too much soot will collect rapidly on the glass, blocking the light and create more work for the next day...

One day technology arrived at my home village in the form of solar-power, and the petroleum lamps and all those little strange mundane details of electric-free life were almost forgotten... Until I encountered Bruno Fazzolari, a visual and perfume artist as well as an art educator - and his new perfume collection of 5 fragrances with the eponymous title. I instantly fell for two out of the five, and learned that the soot collecting on such lamps has a name, and is also the most ancient of all pigments: Lampblack.
Petroleum lamp by MrsFaraway
Petroleum lamp, a photo by MrsFaraway on Flickr.
Lampblack is not an isolated perfume - it was debuted as part of an art show at Gallery Paule Anglim in San Francisco, alongside a series of Exploring the relationship between art and perfume is a controversial and difficult subject (for many reasons I feel should be the topic of another post) and it's both exciting and encouraging to see an artist taking the risk and seriously pursuing the challenge.

Lampblack pigment is not simply black - but also possesses brownish or blue background hues that might show more clearly to the untrained eye after the colour fades a bit. It's a very versatile pigment - and is used to create India Ink, as well as black water colour and oil paints.

The primal, basic nature of lampblack pigment appeals to me. There is something very straight forward about it; yet also a mystery. It connects the innate need to tell a story through the ages - on cave walls or the Metro station.

Lampblack perfume encompasses that connection: it has some very prehistoric elements such as the smokiness of nagramotha (cyperus, a relative of vetiver that has an almost tar-like scent that is not unlike petroleum at its pure state); an ink-like quality that makes one think of the cold steel from which bridges are built. Strangely enough, it also reminds me of a visit to a fisher's docks in Haifa in elementary schools, when we were shown a cephalopod and the ink that comes out of it. There was a salty, metallic scent in the air of a rainy winter day, the rusty ships and wet wooden docks.

Upon application, Lampblack possesses an abstract yet familiar freshness merged with woodsy and mineral elements: sulfuric grapefruit, flint-like black pepper and woodsy sandalwood and vetiver. Quickly, a turpentine-like smokiness of nagramotha interferes with the agreeable opening, and an abstract array of molecules that bring to mind ink and minerals. Underneath it, if you listen carefully, there's a quiet jasmine note peaking through the rather angular structure, echoing the "fruity magentas" and splashes of yellow that are peaking through the buoyant spills of thick India ink in the artist's painting - but perhaps it's the other way around. Powdery benzoin mellows out the dryness of the woods, suave and absorbent like rough watercolour paper.

Lampblack perfume and the entire collection of 5 can be purchased directly from the artist's Edition webpage, or via his Etsy shop.
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