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Tuberose Pommade and a Flower Meditation



The other enfleurage pommade I ordered from Dabney Rose was a tuberose one. If you've smelled fresh-cut tuberose before, you'll be appreciate the glorious beauty of the living flower that has been captured in the vegetable oil base of this pommade. You can read more about the process and what pommade means in my post about the equally stunning Butterfly Ginger pommade.

Capturing a living flower's true scent is an enormously challenging feat. Dabney Rose does an incredible labour of love growing her own plants in a glass hothouse and her own little garden, and she must be tending to each blossom and petal with much care while growing them, and of course handpicking and placing them in the coconut-base vegetable alternative to enfleurage.

The Tuberose Pommade brings to mind spring eternal when the entire room is intoxicated from a single cut stem. It transports you to a hot summer night on the beach, adorned with a lei of tuberoses and gardenias. I am yet to experience this in real life, but my imagination is quite satisfying and a dab of real tuberose is enough to make it feel real. All is needed is to close one's eyes and surrender your senses to this beauty, for it is fleeting.

The pommade is not a solid perfume, but a pure, single note extraction - a rather antique method, like the one invented in the city of Grasse. It does not last long, which demands you do pay attention to it while it lasts. With such rare beauty, a floral meditation is in order, once you apply this white unguent to pulse points or even finger tips. Take a few moments off your stressful day to appreciate this beauty. Or better yet - start your day that way. Dedicating the beginning of your day to gratitude and appreciation is the best way to start the day. Invite life's blessings and pause to fully appreciate it, and more will come your way.

Butterfly Ginger Pommade



Dabney Rose's Butterfly Ginger (Ginger Lily) Pommade is nothing short of a miracle. But for you to understand, let's first explain what pommade is. And no, it is not spelled "pomade", much to my autocorrect's disapproval. This is the French word for a step in the enfleurage process. Enfleurage is the fat (usually from an animal source) that has been fully saturated with a flower essence. Once this is achieved, the pommade will be washed with alcohol and produces an extrait (an alcoholic dilution of flower extract). When this alcohol is removed by evaporation, it leaves behind the pure flower absolute (much like any other extraction process).

There are a few things that are unique about Dabney Rose's pommade: first of all, she makes them by hand from plants that she lovingly grows in her garden and hothouse. Secondly, it is sold as is, without further washing in alcohol - thus offering a pure, fresh flower scent in a solid perfume form. Thirdly, the fats she uses to absorb the living flower's beautiful perfume are vegan (I believe it is coconut oil, but it might be mixed with other vegetable oils).

Specifically, the Butterfly Ginger Pommade is stunning. Even though it is made of just one plant, it smells like a complete perfume, yet also smells very alive. As a point of reference, thing of a floral green such as Laura Ashley No.1, sans all the sharp and headachy notes that this genre tends to give me (much to my dismay, as I do admire green florals). It also reminds me of a certain fancy soap that was the household name at my best friend's home: a fine white soap with a very clean yet floral, exotic aroma.

This ginger flower is not at all ginger-like, even though it could be described as slightly spicy. I haven't smelled it in real life, so forgive me if my points of reference are commercial items. At the same time though, I'm sure this is very true to a fresh living flower. It perfectly retains that character and authenticity. This is the kind of thing that you may not be able to describe, but you certainly can feel.

Dabney Rose's offerings are seasonal in nature, and are made in very small batches. The website doesn't a catalogue or shop yet, so it's best to follow here Facebook and twitter stream, and order immediately when something that strikes your fancy is out of her still or enfleurage trays.

Reflections on a Year Gone By



It's the last day of the year, which means that it's legitimate to look back and reflect on yet another year that has gone by. On a personal level, it was a great year (considering 2013 was a year from hell,  even though I didn't quite put it that way publicly - this is not exactly surprising).
On a global level, however, in 2014 it seems like all hell has broken loose and the only reason we don't think of ourselves as in the midst of a 3rd world war is probably because no one is brave enough to call it what it is. But I digress. You're not visiting this blog to be reminded of what kind of an awful world we live in. You are more likely here searching for refuge from all those realistic nightmares.

Well, a lot of good things happened in the world of scent; most of them I was too oblivious to notice or pay attention to so you won't be finding too many surprises in my "list" for the fragrant highlights of 2014.

This year I was absorbed in recovery from the awful year prior, and with a renewed boost of energy, I've been tackling all fronts of my business - trying to reach out and teach classes and courses in more places, re-doing a website, narrowing my collection, writing a book, and teaching a lot. All those things, which in the year prior seemed to have a big question mark hovering over them, have found a new meaning in my life and a new sense of excitement and purpose which in the year prior I was really worried will never return to me. But I've been also integrating a lot of my passions and knowledge and experience (both gruesome and positive) leading to a new direction that I feel serves a higher purpose. It will all unfold and make sense as I progress in my studies, art and life experiences. One big thing that occupied me personally and was part of what some like to call "personal growth" has been learning to become a Pilates instructor. I know this seems completely unrelated to perfumery for an outside observer. But to me all those things - working with breath, body, awareness and within the flow and rhythm of life - are all part of the same thing for me. And I don't believe I was born to do just one thing. With that being said, I'm now able to be much more focused, with a much clearer sense of priorities and

Year of the Book: 
This year was dedicated to completing my book, which was in the works (AKA planning and procrastinating, and dreading the intense process that writing a book involves). Somehow, despite the fact that I lost nearly 2 months of work due to the teacher's strike, not to mention many nights of sleep of the yet-another-unnecessary war in Israel and Palestine - I was able to finish it. And I want to thank once again all the people who were involved in the process: Terry Sunderland, graphic designer extraordinaire, Shauna Rudd, superb copy editor and proofreader, Schuyler Corry, proofreader and contributor of some of the chemistry terms in the glossary; and David Shumaker for proofreading some 3 years ago when I started working on this 3rd edition of the book; and last but not least to the Taly and Yitzhak Ginsberg, who thanks to them I actually went ahead with being self-published as well as for pointing me to the right direction to turn my manuscript into a eBook (you'll hear about that soon enough).
Thank you so much for helping me make my dream come true and become a published author!

And - More Books:
This has been a great year for perfume related books. I've mentioned two of them here, the anthology of scented poems The Book of Scented Things, edited by Jehanne Dubrow and Lindsay Lusby; and Mandy Aftel's new book Fragrant. There is always more to learn, and it's wonderful to see more books published that pertain to the world of scent. It's all part of keeping this rare art alive!

New Perfume Love: 
Au Delà - Narcisse des Montagnes by Bruno Fazzolari.
This limited edition "flanker" of sorts to the perfume Au Delà is even more beautiful than the original. I will write about it in more depth in the coming week - a beautiful ambery floral with Chypre nuances, that was accompanied by a breathtaking screen print, signed by the artist.

Mainstream Surprise: 
Narciso by Narciso Rodriguez
While I can't say I thoroughly tested even a fraction of the many mainstream perfumes released this year to justifiably crown this the "best" of the year - I did purchase a bottle, and it did not feel like it was a whim at the time. This perfume is full of surprises, much more than the original scent from this brand. In all aspects of design (including packaging) there is elegant simplicity in this release, yet intrigue and originality. It's been a while since I was able to say that about any department store fragrance.

Vintage Discovery: 
Diorella. What a delight to have found a 220 mL (!) of the original, vintage Diorella on a certain auction site. I've been splashing it lavishly in the summer, and looking forward to much more of the same as soon as the spring bulbs and buds begin to open again.

The 180: 
Aromatics Elixir
If you haven't seen much new perfume reviews on my blog, it's because I've been dousing myself quite regularly with this (previously under appreciated by me) bombshell. I used to think of it as way too strong. It wasn't until I blind-purchased a bottle of the Perfumer's Reserve (also via the above mentioned auction site), and discovered to my horror that there's far too much white musk in it; that I just HAD to re-examine the original. I only purchased a tiny spray bottle of it, but a little is all you need, and goes a looong way. There is something about that

Thank You Hermes For Not Disappointing: 
First of all, Epice Marine FINALLY arrived in the Vancouver boutique many months after it should have. And I did enjoy it quite a bit (yet not quite enough yet to purchase a bottle). Cuir d'Ange, on the other hand, arrived in time (or maybe it didn't, but I didn't really expect it), and turns to be a very interesting sheer leather. Samples are still unavailable which is why I haven't written a review yet. It's not earth shattering, but I'm always happy to welcome a new leather kid into my world.

Natural Intrigue: 
Palimpset by Aftelier. There are many offerings in the natural world that I am yet to try. But I was immediately smitten with both Cuir Gardenia and Palimpset, the two new creations of this year by Mandy Aftel. While I'm more likely to wear Cuir Gardenia frequently - Palimpset is the more original, intriguing and unusual. Built around the rare, unusual and difficult to work with Fire Tree oil from Australia - it has an outstanding longevity (I believe the sample I received from Aftelier is the parfum concentration in alcohol base). The opening is very effervescent and citrusy, almost like wild orange, sweetly fruity but not overtly so - then continues to develop into an utterly floral yet woody perfume, with the Fire Tree note weaves in and out while being supported. It's exotic and wonderful. I just received it yesterday, and am planning to post full review of this (and Cuir Gardenia) in the upcoming days.

Incense: 
The new incense cones by Persephenie.
They come in several fragrances, and all burn fantastically well, without leaving any "off note". Original blends, yet with a very strong connection to spiritual rituals from around the world. They are beautifully hand-shaped, and rolled in an outer coating of herbs that adds a visual element to the experience, rich in both colour and texture.

Tea: 
Those who know me well, are concerned about my ever-expanding collections of teas, spices, perfumes, cookbooks, and of course raw materials. Well, this year I have been pretty good about finishing up a lot of the teas I have and narrowing down my favourites to a more workable and manageable scenario (for the sake of my kitchen counter and shelves). Although I won't pretend I don't have excess of teas still, and need to run out of a lot before purchasing anything new; I am quite proud to say I know which teas I love and I am happy to just keep drinking a handful of them and stop feeling the urge to collect them. Some things lend themselves very badly to collecting, and tea is one of them. They just lose flavour after a while... I'm proud to announce, that as long as I have one good black tea (darjeeling, Assam or a cask-aged Ghorka, for instance - for versatile use anywhere from plain black tea, to that adorned with fresh sprigs of mint, or ensembles into a chai), Cream Earl Grey, and either a robust rooibos or a Thai Tea for its almost coconutty aroma, some kind of a good quality green tea (i.e. matcha powder or jasmine) and a Milky Oolong - I'm pretty happy. That's not a lot, right? Of course I also have a kid with her own favourites, usually flavoured teas or a green tea. But that's just extra fun. With a little help from our friends,  I think we're going to have a pretty clear tea shelf by the end of 2015. But in all honesty, what we've been drinking almost every other morning has been chai in a base of almond milk. We make it very simple, because there is no time in the morning to blend too many spices - just some black tea, some cardamom and cinnamon, freshly diced ginger and honey. Blame it on my daughter. It's her idea.

Sweet Tooth:
Persephenie's Salty Jasmine Candies, and my own Oud Truffles, if I may say so myself.

Skincare Product:
It's a well known "secret" that I'm a sucker for anything rosy smelling on my face. My skincare regime is as simple as could be, and includes only two products: floral hydrosol (usually rose, or orange blossom) spritzed on the face, followed by a moisturizer - usually just my own facial elixir. Everyone once in a while I make an exception - but it has to be for something exceptional. Usually it's Persephenie's excellent Rose Pakka. This year I was ogling her new offering for the face - Saffron Rose Face Oil, which is a pure and nourishing facial serum. The makeup of oils shares some common elements with my Elixir (tea seed oil, sea buckthorn oil, carrot seed and rose oils) and the rest is all sheer goodness, as always with Persephenie's creations. I've received it in the mail today and it did not disappoint. It's practically the facial version of my Song of Songs anointing body oil. I'm in a facial New Year's heaven!

Body Product:
Bedouin dry oil by Persephenie. All of Persephenie's body products are top-notch. Bedouin was my favourite scent by Persephenie, but is no longer in production. That's why it was particularly delightful to find out that it is now available as a dry oil - a very lightweight, sheer oil that can be sprayed on either body or hair. Roses and cardamom. Mmm...

Discovery of the Year:
Dabney Rose's extraits and pommades are nothing short of magic. I've experienced her hyacinth extrait, tuberose pommade and ginger lily pommade (the latter are made in a coconut oil base) - all grown in her own garden and hothouse. These beautifully and lovingly crafted pure single note essences are made in the old technique of enfleruage, modernized by an innovative vegan base. Dabney's work is akin to capturing butterflies inside hot resin and keeping them alive and intact even after they've exhaled their last breath... It may sound too good to be true... But it is the most truthful portrait of the living flower if there ever was one.  In other words: alchemy at its best.

Raw Material of the Year: 
Narcissus Absolute. I've been obsessing over it while creating Narkiss, and (great minds think alike!) in Bruno Fazzolari's newest perfume.
Need I say more?



Musée International de la Parfumerie

On Thursday, I shook hands with Clary Sage for the first time. As you can see, her hands are much bigger than mine! This exciting encounter took place at the tropical perfume garden of the Musée International de la Parfumerie in Grasse.


The International Perfume Museum in Grasse re-opened in 2008 and is unusual from other perfume museums in the world in that tries to show the history, archeology, cultural and technical aspects of perfumery not only through bottles (although mostly bottles, as expected) of perfume and cosmetics, but also allows visitors to smell some scents. The press release for the museum promised more than I found there, but I still felt the museum offered an unusual and valuable experience as well as being educational and informative (if you can understand French – only the very main writings was in other languages – and so I missed any commentary on the enfleurage process, for instance – not to mention the many curious artifacts ranging from Ancient Egypt and Greece to medieval Europe and Asia).



A few curious items that impressed me: the mummified feet and hands (covered and stuffed with fragrant herbs for preservation), and very old fashioned mascara used to be pressed powder plus brush that women would wet with their saliva to paint their eyelashes. There were many elaborate accessories and bottles for cosmetics on display that looked like silver tea sets, but were in fact a medicinal/cosmetic treatment kit. The lack of commentary in English (there may have been some in German though) clearly was not in my favour.


But what I mostly came for was what I read about in the press release announcing the re-opening, that mentioned smelling stations or mechanisms around the museum where visitors can dispense scent into the air by a push of the button. None such thing existed. And when I finally gave up and asked the front desk about it, they said it is yet to be built. A later conversation with a tour-guide at Fragonard informed me that ultimately this museum will also include a division of the Osmotheque. That could be so fantastic!


While I never found Marie Antoinette’s vanity chest mentioned in the radio show, but I went to a pink vanity room where you can open the drawers to see scented fans, and flip up a chest cabinet to reveal entire collections of cosmetics and perfumes from long ago. I also did find an old fashioned perfumer’s organ which was very impressive.


The only exceedingly aromatic exhibit was the sensory auditorium, where a short osmo-art film is shown: nature scents on two adjacent walls, accompanied by music and scent, of course. Beginning with ocean (too much calone for me), proceeding to woods (incensy, sappy and warm – almost smoky), a field (which I am unable to describe since by than the room was saturated with both previous smells) and finally, an energetic and juicy cantaloupe piece that was my favourite.
While I found the vast number of stunning perfume bottles overwhelming I was especially moved by the gardens dedicated to exotic aromatic plants that I haven’t had the chance to ever see alive and growing, i.e.: clary sage, with whom I shook hand for the first time in my life, vetiver, patchouli, vanilla orchid, cinnamon tree, cardamom, tuberose and ylang ylang (though not flowering) and bergamot to name a few. The museum seems to be still under development and I can only hope that next time I’m in Grasse the museum will be even more complete and with more olfactory adventures.


Even the wallpaper was created from old perfume boxes:

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