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Pois de Senteur


Sweet Pea, originally uploaded by Jennie Anderson.

Pois de Senteur de Chez Moi (1927) has the attitude of a bygone era, when perfumers tried to capture the scents of impossible-to-extract bouquets of flowers. There is nothing light or cheerful about these sweet peas: they are so self-absorbed in their seriousness that they literally smell like they’ve been rotting in their own green leaves for a while once first inhaled.

Green hay note is dominant at first, alongside powdery and sweet-cloying notes that bring to mind old scented lipsticks and face powders from the 40’s, and flowery linden and lilac milled soaps. Like most Caron’s perfumes, it takes some time to unravel the density of what smells like an aldehyde boosted sweet pea absolute (if such thing was to be found). A spicy cinnamon-and-bay-rum note attempts to rise above the bouquet without much success, and only once the hay and aldehydes subside, the almond-and-vanilla of heliotropin nearly take over with very little floral bouquet or greens left. It is similar to Farnesiana but not at all a comfort scent, but a rather uncomfortable and complicated floral bouquet past its prime. Hours later, the orange blossom is revealed, but more as an aspect of heliotrope flower rather than on its own.

Notes include: Sweet pea, rose, hyacinth, bay rum, jasmine, orange blossom, linden, lilac, hay, vanilla, heliotropin, musk.

Sweet Peas


Sweet Peas, originally uploaded by judy stalus.

If you ever grown sweet peas in your garden, you know how cheerful their smell is. It is sweet as the name suggests, and has spicy and green elements, make is why it also feels very balanced – not cloying or heady or indolic like lilies, for example.

Both Arctander and Poucher mention orange blossom, hyacinth and rose to describe the scent of sweet pea flowers.

Arctander writes that the scent of sweet pea (aka lathyrus) flowers “(...)recall that of freesia, certain roses (e.g. the wild rosa canina, also called hip-rose or hedge-rose) with a very delicate touch of orange blossom or hyacinth. However, the most typical feature of the fragrance of lathyrus is its suave lightness, almost balsamic (like the non-aldehydic part of hyacinth), sweet (like rose-freesia) and yet honeylike sweet, subdued floral (like orange flower) with
a light bouquet and top of mild greenness” (Stephen Arctander, Perfume and Flavor Materials of Natural Origin, p. 605).


Unfortunately, although the flowers yield themselves to extraction with solvent, an absolute is not produced commercially at the moment, so whenever you see sweet pea mentioned in a perfume, it is actually a sweet pea base, not the absolute or essential oil. A base is a harmony of notes created by the perfumer to reproduce the impression of the flower.

Poucher's compounding instructions for a sweet pea base stress the importance of methyl anthranilate in the heart. This molecule is the characteristic in orange blossom note, present in neroli, orange blossom absolute and petitgrain - as well as tuberose, ylang ylang and even in jasmine absolute). He offers the following guidelines for compounding a sweet pea base, which include the following :

Green top notes: Linalol, Petitgrain, Benzyl acetate

Orange-Blossom heart notes: Neroli, Methyl anthranilate (fruity orange flower), Broom absolute, Ylang Ylang

Base notes (sweet, warm and spicy): Methyl naphthyl ketone (sweet and powdery orange blossom), hydroxylcitronellal (sweet orange blossom/lily), Penyl acetic aldehyde (for the hyacinth and clover effect), Styrax, Tolu balsam, Vanillin

I'm quite curious to see if it would be possible to create a match to a floral without its actual essence (i.e.: essential oil or absolute), using just floral absolutes and essential oils. It's very challenging to create the illusion of a flower with only naturals, unless there is actually an essence from the flower itself (i.e.: essential oil or absolute). I also feel that heliotropin is really important in this one, yet is not to be found in any essential oil or absolute that I'm aware of (and heliotrope absolute is not available either). I will need to start by creating a heliotrope base before creating the sweet pea.

For sweet pea I would start by using the following notes:

Top notes: Rosewood or ho wood (because of the high linalol content), Bergamot, Narcissus Absolute, Sweet Orange, Petitgrain

Heart notes: Guiacwood, Styrax oil, Broom absolute, Jonquille absolute, Rosa rugosa (hedge rose) essential oil, Ylang ylang absolute, Orange flower absolute, Jasmine absolute, Tuberose absolute, Neroli, Heliotrope Base

Base notes: Benzoin, Ambrette seed, Styrax resin, Tolu balsam, Vanilla CO2

Si Lolita

Is it possible for a perfume to be simultaneously floral, fresh, warm, spicy and woody? Apparently yes. Si Lolita succeeds in being all of the above without any clashing of the elements. It is all at once pretty, happy, girly fragrance and a surprisingly spicy. Beginning with a dry peppery freshness of pink peppercorns, cedar and the lemon-and-pepper balsamic pungency of elemi resin. Si Lolita glows softly on the skin, revealing its almondy tonka and heliotrope foundation with hints of patchouli that smells musky-animalic in this context rather than earthy (that’s the magic of perfume: blending tonka and patchouli together creates something new altogether). At its core lays a sweet pea accord, a flower that hasn’t been exactly popular since, perhaps, Caron’s Pois de Senteur (1927). After searching high and low for a sweet pea scent on Basenotes, I found only four that either have mention of this in their name, or as a note.

If you ever grown sweet peas in your garden, you know how cheerful their smell is. It is sweet as the name suggests, and has spicy and green elements, make is why it also feels very balanced – not cloying or heady or indolic like lilies, for example. Both Arctander and Poucher describe sweet pea flowers to have a scent of hyacinth and orange blossom with a little bit of rose. Unfortunately, although the flowers yield themselves to extraction with solvent, an absolute is not produced commercially at the moment, so whatever is in Si Lolita must be a sweet pea floral base (created by the perfumer to reproduce the impression of the flower).

But I digress. (update: I decided to move the portion about composing sweet pea accord into another post). I got a sample from Holt Renfrew on Saturday afternoon, and by Sunday night my grocery list already included a bottle of the juice (as I’m writing this, I am still waiting for my daughter to return from school so I can do my “groceries”). This is not to say that Si Lolita smells like a grocery item, but it has captured my nose immediately, that I am feeling deprived since yesterday night – so you see, it is a necessity!



Si Lolita is mischievous, pretty, chic and easy and fun to wear. While it has enough warmth in it to make a fall day feel cozy, it is a rather light scent, even at the EDP concentration (which explains why I run out of the sample in less than two days – I had to reapply a lot). It’s not nearly as potent as its big sisters Lolita Lempicka and L, but it would be a bit much if the entire line was heavy orientals, wouldn’t it?

The bottle and packaging is whimsical in a non-chalant, effortless Parisian style. It’s romantic without being nostalgic, the design feels as effortless as a non-committal sketch in water colour, yet it works. It’s easy on the eyes and easy to handle and apply (something I can’t say about either L or Lolita Lempicka’s bottles). The flow of design is thankfully not reserved for the visual alone but also the fragrance. And the most surprising part – it’s interesting and even original in its choice of notes and comosition.
It’s refreshing to see a scent that is pretty and perhaps even “cute” by some standards, easy to wear without being pretentious, and even has a spark of originality in it. It really shimmers as a result. And I think it is even going to sell well with that lucky four leaf clover.

Top notes: Bergamot, Mandarin, Pink Pepper
Heart notes: Sweet Pea, Giroflée (Wallflower), Heliotrope
Base notes: Tonka Bean, Elemi Resin, Patchouli, Amber

P.s. I really recommend you read Octavian Coifan's commentary on this unusual perfume.
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