s

SmellyBlog

Moroccan Mimosa Memories


colori, originally uploaded by mafaldablue.

Mimosas were my step-grandmother’s favourite flowers. We always stopped on the way to Tel Aviv to pick the long stems, bubbling with yellow pompons, and make a wild bouquet just to make her happy. By the time we arrived at her doorstep for a Friday night dinner, we have left behind us a trail of mimosa pollen, from the station-wagon, all the way up the stairs, and honestly – I don’t know if there was much left of the flowers at all. But I think it still made her happy to hold real mimosa stems in her arms.

This photo reminded me of her, and of “habana” - a heavy Moroccan blanket, made of thick wool in vibrant colours. These must be perfect for an icy Moroccan desert night, but for my little girl’s body, cuddling underneath it felt just as restraining as taking a nap in a coffin. I still can’t understand the admiration it got from my parents…

My step-grandmother made the best Moroccan food, only from scratch, of course: couscous (but really from scratch, you just can’t compare it to store-bought couscus in a million years), mufletta, galette biscuits to dip in the sweetest spearmint-black-tea, coconut cookies adorned with a tiny silver ball, almond cookies with a clove bud stubbed at their heart, and my favourite of all - beet salad, and candied miniature eggplants, spiced with cloves. It’s unbelievable what you can turn into jam if you follow a good Moroccan recipe, you can practically turn rocks into candy! Because she spent so much time in the kitchen her face and skin was always soft and a little bit glossy from the oil. The food was always very colourful and flavourful, but now that I look back it seems as if she lived a very grey life. She was always working hard and serving her family, raising 6 kids in the depression of the 50’s in Israel when everyday commodities were sparse; and so she had to be improvised - shoes were cut-to-fit the growing feet, and stale bread was made into fancy patties soaked in tomato sauce. These were just some of the legends I heard of her life as a young mother.

The only thing I remember of her that would hint that she actually did something to indulge herself was her collection of perfumes. She had quite a few, but they were all in her bedroom, which I only remember as very dark, and so I don’t have any vivid visual memory that would support my theories about which scents these could be.

As a great admirer of the French culture, I am sure she had No. 5. And so she should have. But also, whenever I smell Cinnabar and Youth Dew EDP, I immediately get a glistening glimpse of a hidden retro bottle with dark juice and gold cap winking at me from a dark room. It took me a while to connect it to her. So I think she must have had at least something similar to either of these American scents. Bal A Versailles is another possibility… These will all remain mystery, as my step-grandmother took her perfume secrets to the grave. She died of a heart attack after receiving the news of the assassination of Israel’s Prime Minister Izthak Rabin.

What was it in mimosa flowers that made my step-grandma so happy, I would never know. Maybe it was their vivid yellow colour. Maybe their delicate scent reminded her of Morocco, where she was born and raised.

I hope that my mimosa perfume, when it is ready to emerge from its genie incubating tube, and meet the skins and noses of living people, will form yellow clouds of happiness around them.

Yasmin: A Midsummer’s Night Dream

THE SONG OF THE JASMINE FAIRY

In heat of summer days
With sunshine all ablaze,
Here, here are cool green bowers,
Starry with Jasmine flowers;
Sweet-scented, like a dream
Of Fairyland they seem.

And when the long hot day
At length has worn away,
And twilight deepens, till
The darkness comes--then, still,
The glimmering Jasmine white
Gives fragrance to the night.





If there was a jasmine flower for every magic hour I spent with my friend Yasmin, I would have a whole garden, with jasmine in full bloom. Yasmin always listened, and despite the fact that she did not like her handwriting, both her spoken and written words always seemed magically poetic and could paint a picture that could be only seen on the hidden canvas of the mind.

With her words she has created a whole kingdom of fairies, and they all lived on a tiny machine (which really was like a piece of earth, with little flowers on it). It all started with a magic rabbit. A white rabbit, just like Alice’s – white with red eyes but no watch. He lived on the little machine, which was the size of an adult’s palm. He grew tiny carrots and tiny flowers in his garden (on the machine). Later, many good fairies appeared

When we were little girls, Yasmin’s miniature stories provided an escape from the cruel world that threatened the perfection of childhood, just as my little matchbox sized match-dolls and miniatures created a portal to a small world where everything can be controlled and can only be good. We spent hours playing with Yasmin’s miniature dolls from England (they had little tea sets, kettles and all), drawing castles in the clouds, diving into the fairy illustrations of Cicely Mary Barker, and getting lost in Mirkwood with the hobbits and elves. When we were teenagers, we spent the afternoons doing yoga on the grass until the mosquitoes chased us to the screened indoors, where we spent the rest of the evening figuring out who we are what we will become when we finally grow up, and inventing words for things that did not exist in our language’s dictionary. Now that we can call ourselves grown-ups, Yasmin moved on to bringing happiness by listening and reflecting, while I kept on creating miniature (this time odorous) universes, packed in tiny pebble-like flacons and embedded with fairies...

I could have probably dedicate a whole line of perfumes just based on jasmine notes. And in the case of developing a scent for my friend Yasmin, it seemed as if each scent that I made showed one aspect of both my friend and the flowers that bear her name.

The first perfume I made smelled exactly like her house. Her family is well known for their travels to India, and there are many Indian smells in the house: from Indian dull and curries, to incense and fragrant oils, patchouli-scented shawls, and the endless bloom of jasmine which I mentioned earlier. The first scent – a heavy concoction of amber, patchouli, frankincense, champaca, kewda and jasmine - was instantly embraced by no other than Yasmin’s mother, who adopted it immediately as her signature perfume. In an essence, this perfume smelled like her house, so it was no surprise to neither of us.

The second perfume I made for Yasmin was the one she actually adopted for herself: it was equally floral and citrus, and not as heavy. Tart citrus top notes of lemon and bergamot, soft floral heart of jasmine, orange blossom, ylang ylang and tuberose over a light base of sandalwood, benzoin and frankincense, and just the bare tinge of vanilla.

Last year, before Yasmin’s wedding, I made her a new perfume, which I thought would be even better suited for her, and equally balancing tart elements (she loves sour fruit, and hates candy!), jasmine heart and a sophisticated base. This time it was a contrast between lime, jasmine and tonka, and I thought that this time I nailed down Yasmin’s signature perfume.

But I still wanted to tell the world my little fairy story, and share my love to my friend and the flowers she is named after. To do so I wanted to create a jasmine soliflore. In case you haven’t figured it out yet, Yasmin means jasmine in both Hebrew and Arabic. And as corny as this may sound, I cannot help but think of my friend whenever I smell these white, intoxicating blossoms – particularly jasmine grandiflorum. Although it was relatively easy to come up with a Signature Perfume for my friend Yasmin – partly because I know her so well and partly because she is so easy going and loves everything that I do; it took a long time before I achieved the results I was aiming for the jasmine soliflore. It took a while before I managed to capture the scent surrounding my friend’s house – the scent of jasmine bushes, always lush, always blooming… The house is still there, the jasmines are still there. My friend’s adventurous parents are still there when they are not traveling. But now we both have grown up and we don’t live in our parents’ houses anymore. Now, instead of telling fairy stories to her friends and practice figure skating, Yasmin listens to the life stories of her clients she councils in London, and continues to study psychology and practice Kiteido around the world.

Yasmin perfume
is now complete. When I smell it, I am flashbacked into my parents home’s front stone patio, picking the scarce flowers at dawn, experimenting in turning them into a tongue-numbing tea… Or planting jasmine sambac flowers in my own dew-laden garden on an early summer morning, with my baby daughter carried on my back… Gradually, the jasmines become less green and more voluptuous, the narcotic queen of the night impregnates the nights spent on the hammock under the stars, filled with endless conversations. I am gradually lulled into sleep by voluptous jasmine, sandalwood incense, and amber. A Midsummer’s Night Dream euphoria.


THE SONG OF THE WINTER JASMINE FAIRY

All through the Summer my leaves were green,
But never a flower of mine was seen;
Now Summer is gone, that was so gay,
And my little green leaves are shed away.
In the grey of the year
What cheer, what cheer?

The Winter is come, the cold winds blow;
I shall feel the frost and the drifting snow;
But the sun can shine in December too,
And this is the time of my gift to you.
See here, see here,
My flowers appear!

The swallows have flown beyond the sea,
But friendly Robin, he stays with me;
And little Tom-Tit, so busy and small,
Hops where the jasmine is thick on the wall;
And we say: "Good cheer!
We're here! We're here!"

* Ilustrations and poems by Cicely Mary Barker
Photos and poems found on this site

House No. 102178 - Ayala Moriel on Basenotes!!!

Basenotes, one of the best resources online for getting information about your favourite perfumes now features Ayala Moriel Parfums!

Basenotes is an extremely friendly and informative online discussion forum where perfume lovers around the world can discuss their fragrant experiences and share their knowledge and passion.

Basenotes is more than an online discussion forum. It is an elaborate project that serves the perfume community at large: it is a place where perfume connoisseurs can read perfume related articles, keep track of their collection (or shall we call it “inventory”?), swap or sell in order to modify their perfume collection and expand their olfactory horizons (there is even a feedback forum there, just like on eBay!), get perfume news updates, find information about perfume destinations around the world in the City Guides, and even acquire cool gadgets
to announce their love of perfume to the world at large.

Membership is free of charge. However, many Basenote members have decided to put their money where their words are, and support this website, which offers great services for the perfume community, and also educates the otherwise scent-ignorant public about perfumes. Supporters receive some extra benefits, such as being able to keep private notes for each perfume in the extensive Fragrance Directory.

The directory is an elaborate perfume database. It sorts perfumes by their houses and the year they were created. It also provides an elaborate pyramid of the fragrance notes – the top, heart and base note for most perfumes. You will also find information about the perfumers who created them and the bottle designers, and links to sources online where you can acquire the perticular fragrance you are looking at.

Many thanks to Grant Osborne for running Basenotes for the past 7 years, and for adding Ayala Moriel Parfums’ fragrance pyramids to Basenotes' Directory! I am sure it took a lot more than just a couple of minutes to add all my 53 fragrances (including the Zodiac line) and their entire fragrance pyramid. Thanks to Grant, you can now find the fragrance notes for my entire collection on Basenotes. A dream come true.

Grant and Basenotes - I applaude to you!

Sabotage - New Summer Perfume

I am wearing Sabotage today. It’s my newest creations for men, even though in fact it’s not all that new. I re-worked the formula of years ago, now using slightly different raw materials (the same plant essences, but from a different distillation). And I am very pleased with the result. The centre remains the same - Vetiver and tobacco. The first version was more grassy and citrusy, with plenty of Vetiver, tobacco, allspice, lemon verbena and lemon grass. It is far more refined now as the grassy notes are softer and more blended into each other. It is less earthy and grassy, and the Vetiver feels fresh and at the same time very smooth. I decided to use a Haitian Vetiver, which feels a tad citrusy and clean just as it is. To this I added orange blossom absolute and orange flower absolute to add a more sophisticated, citrusy heart, and it is now just the way I want it to be. To the Vetiver base I added tabac blond and vintage patchouli, as well as tonka beans to accentuate the tobacco note (tonka beans are used to flavour pipe tobacco and cigar leaves). The leafy-lemony heart is lemon petitgrain (the leaves and twigs of lemon tree distilled into an essential oil). For the top I decided to use green peppercorns this time, instead of black peppercorns. The green ones are the fresh peppercorns, while the black ones are the ripe and dry ones. And the green pepper indeed smells fresh, in fact - almost citrusy. They are here complemented by lemond rind and bergamot.

I chose the name Sabotage as a parody as well as an homage to classical men’s scents, with names such as Heritage, Équipage, etc. I decided to take the most refined, elegant masculine notes of tobacco, orange blossom and Vetiver - and turn them into something a bit humourous, easy and fun to wear. I really like this in the heat. Vetiver has a cooling effect. But the tobacco and tonka add warmth and interest and grow smoothly on my skin.

Back to the top