Sonoma Scent Studio has a new collection in the works - Sonoma Naturals, which I've been fortunate enough to sample its first two offerings. I was particularly curious to smell how Laurie Erickson's style translates in the new medium of 100% naturals. Although her "mixed media" perfumes are already contain a very high ratio of naturals, many of the molecules act as such powerful accessory notes that they could define a perfumer's style in such way that it would be difficult to fathom their perfumes without them. In this case, I could not imagine Laurie's perfumes without a prominent presence of violetty ionones.
 
Spiced Citrus Vetiver begins with a burst of blood orange and smooth warmth of Mysore sandalwood and a touch of very subtle woodsy spices. It is an unusually complex vetiver scent. It is refreshing and citrusy as you'd expect from such a name. At the same time it possesses a warmth that is not particularly spicy, but rather a sophisticated and woody-floral.

True to form, Spiced Citrus Vetiver contains ionones, originating in the exotic floral note of osmanthus. Osmanthus has a significant amount of naturally-occurring alpha ionone, which give this perfume a certain roundedness, as well as exotic mystery. It is suitable for the heat of the summer, reminiscent of sandalwood fans and chilled osmanthus tea and cool vetiver.

Diptyque's has already won my heart if not at least gained my deepest respect time and again with their classics - Philosykos, Oyedo, l'Ombre Dans l'Eau, Ofresia and Tam Dao. But I kinda stopped following their latest releases as I found them all to be pleasant enough; yet non has stirred anything in me. I probably would have dismissed Volutes completely if it wasn't for Trish's enthusiastic recommendation - she literally left a sample for me on the kitchen table to take home with me - which she didn't need anymore, because she already got her own bottle. Imagine that! If you're a perfumista, you know how rare a "full bottle" is...

Smelling it from the vial (or bottle) did not do it justice, and in my haste to catch the plane to San Francisco, they were left on the kitchen table... And caught up to me a little later, when Trish sent me a care package of a few perfume samples she thought I ought to try.

When I finally made the skinspace for Volutes, I understood what the enthusiasm was all about. It's very different from the other Diptyques in that it's a lot more substantial and full bodied; and dances on the edge of ethereal, smoky, oriental, and maybe even a little gourmand. If anything, it reminds me more of some of the more forthcoming scents they've created for their candle line (i.e.: Feu de Bois, Essence of John Galliano come to mind, in terms of their bold, outspoken complexity).

Volutes plays on the contrast between two themes - the smoothness, warmth and strength of polished woods against the airy, untouchable movement and swirling of incense. It spills out on the skin like warm melted beeswax and honey, creating a feeling that is not quite gourmand, but more so a sensory memory of gliding honeyed wax on smoothly-plucked skin. And maybe licking a polished wooden staircase (I might have done that at some point between the ages of 2-4...).

And then comes a waft of swirling incense mingled with pink pepper, roses, saffron and dates. Sounds familiar? Yes, it does bring to mind another favourite of mine - Ormonde Jayne's Ta'if. Only here the dates are more pronounced, and the musk is less powdery, and more sweet and addictive. The dry down reminds me of the (also addictive) Chai incense sticks (in Shoyeido Gourmet Incense Series).  Burnished pipe also comes to mind, which echoes the tobacco notes beautifully... And the tobacco with an accent of dried hay and immortelle are the last to remain while everything else is has jumped ship.

Top notes: Pink Pepper, Dates
Heart notes: Honey, Beeswax, Roses, Saffron, Incense
Base notes: Tobacco, Vanilla, Musk, Immortelle, Hay

The lovely Muza has generously sent me samples to enjoy, including Russian perfumes which I have never been exposed to. It's wonderful to explore fragrances that I don't normally have access to. And among them, Patchouli Magique immediately grabbed my attention. If it wasn't for this, I would have continued to believe that the prime purpose of perfume in Russia is a vodka back-up.

Patchouli Magique is not a Bolshevik perfume. I'm still stumbling to find out when it was actually created - before or after the revolution or the perestroika or whatever the crumbling of the Soviet Union is referred to. All I know is that it's a fine patchouli fragrance that won't put to shame even the most niche houses out there. I wish I had it earlier when I was running the patchouli series - consider this a latecomer to the patchouli party!

Patchouli Magique enveloped me in a plush wrap made of soft yet rustic fabric. Like a hand-woven alpaca poncho. Or a woolen Russian scarf for that matter, with big roses printed all over it. Patchouli Magique is indeed magical - it's soothing yet sophisticated. Welcoming you with warm earthy notes of dry patchouli leaves; yet develops into warmer, sweeter notes of aged patchouli mingled with amber and sensuous musk. And a trail of sweet incense smoke weaves its way through - not the heavy resinous church incense; but rather a blend of sandalwood and flowers, reminiscent of the famous Nag Champa. Patchouli Magique is a delightful discovery in the patchouli genre, and is unusual in that it is simultaneously luxurious and sophisticated yet easy to wear and not in the least pretentious or overbearing. Being centred around a base note, its structure is not nearly as complex as classic French perfumes and such; but it is still dynamic rather than static; and provides something to ponder upon as you just immerse yourself in all those alluring notes and surrender to their powerful yet quiet beauty.

Patchouli Magique is made by Novaya Zarya, and being Russian, there got to be some fascinating history behind this house: originally Henri Brocard's company (a French perfumer that moved his business to Russia)*, it was renamed "Soap and Perfumery Factory No. 5" in 1917 (after the revolution); and then "Novaya Zarya (New Dawn) in 1922, under which title they first released Krasnaya Moskva (Red Moscow) - the first Soviet perfume.

* The story of this brand is kinda like the reverse of Ernest Beaux, whose family's perfume business, A. Rallet&Co. before the revolution; and "Soap and Perfumery Factory No. 7" in 1918, and eventually - Svoboda (Freedom)