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SmellyBlog

The Air is Changing

The air is changing. The transition from one season to another always fascinates me. Am I the only one? When I was about 7 or 8 years old, my aunt gave me a little black & red blank notebook. I didn't know what to put in, but after a friend's mother (who was a writer) suggested I can write and draw in it, I filled it with innocent little illustrated poems. About 95% of them were about spring, a season I had an undying love for (until I met spring allergies in Vancouver, I guess).

One day, a friend of my step-father came for a visit. He was a funny and also quite intense red-haired guy with a red beard and was a poet. I proudly presented to him my little book of poems about spring, where flowers, birds and butterflies reign supreme. He read the book from cover to cover (I'm sure that was fairly easy), and confessed he is really not all that interested in season. In return, he wrote a poem of his own in my notebook, which was somewhat repetitive and mostly talked about a tree of singing fruit that grew next to singing children, and then the singing children ate the singing fruit... (Oh well, I thought to myself, What a silly poem...)

Years later, my notebook is long gone: I have destroyed it in a rare purging moment as a result of embarrassment from how naive and pathetic all this spring love talk was). I was probably 10 or 11 then - and deeply involved in doing sketches in black charcoal and pencils. My naive expressions have turned into perfume, but thankfully I have way less of that destructive self-criticism than can prevent one from doing anything at all with their life from fear of not being validated by someone else who "knows". Add to that some more painful experience and dark moments and even the brightest flowers can be painted with more depth than to be dismissed as naive or innocent.

So back to the seasons I come. And as redundant as this topic might be, and probably is, if I glance at SmellyBlog from a bird's view and see how much I talk about them; seasons are always going to be an important part of my life. And so they should. It's the magic of the air changing, and feeling that something exciting is going to happen. Because even if it did happen a million times before us, there are going to be ever so small little details that will make this autumn special, this day unique and this moment - when we watch the sunset and know that it might be the last sunset that we ever watch and savour every stroke of elongated clouds on the horizon. And maybe every minute a baby is born, but today it's my friend's baby, and a new life begins.

So, I will just keep writing up my perfume related fall thoughts every September; salivate over the first snow like a little kid who's never seen it before; get excited for spring whenever its first signs arrive (usually by December 25th, actually... I pay a lot of attention to detail!); and pretend it's a summer beach day as long as the water temperatures is over 10c.

The Smell of Paper

Perfumer's Handmade Paper

Today I've embarked on my papermaking adventures, although the odyssey have began a couple of years ago, when I began to collect scented scent strips, filters, tissue paper and other scraps of paper that got tainted with scent in the perfume making process.

For a while now I've been asking myself - what should this paper smell like? I've been torn between designing a particular scent for it; and between using the magical randomality that occurs from years of collecting scented stuff. The smell of "everything" that I have around - which is so well presented in the bagfuls of scent strips that have been collected over the years. Jasmine, patchouli, rose, vetiver, oakmoss, odds and ends of spilled Film Noir, Immortelle l'Amour and Eau de Tinkerbelle's haunting soliflore boronia... These all seemed too precious to be thrown into the regular recycling basket.

Instead, they are a whispering testament to the olfactory quests that have been occurring at my studio: students' struggles with identifying an essence on a blotter strip in a "blind test"; me in a search for a particular accord or winning combination to tell the story of a Coal Harbour morning... They all somehow make it to the pages of this fragrant story, that seeps through the fibers of paper and travels beyond time. I find the experience haunting; and today - after over 2 hours at my little "mill", I've discovered how potent this paper was. The entire house smells of this quiet random array of notes. It refuses to leave the equipment it's been touching. And I find this all to be exciting and also very reassuring - that all this collecting is going to account to something quite intimate and personal. Like the fingerprint of my studio in the moist pulp of paper awaiting molding.

These are just some of my initial thoughts on this project. I find it haunting and exciting, and it seems like the possibilities with this paper are quite endless; both practically (there are more ways that I can count right now for uses for handmade paper) and artistic. It feels like the beginning of another diary or journal...

Peony Musing

Peony

Laurie Erickson's post about her first carnation blooming in her garden got me thinking again about peonies, which I've began exploring olfactory wise in June 2007.

Peonies are lovely, yet a little confusing... I find that they vary in scent quite a bit and are not consistently "pleasant". Some of them could even smell like swamp and decaying vegetation - maybe even compost in it's post-fermentation stages...

But the good ones smell rosy and green-fresh, with hints of clove-like spiciness, and have less of the compost/earth/green rot smell. I tried to recreate it with naturals, and it always boils down to the fact that it's really too similar to rose and carnation to be a good stand-alone scent. It needs some extra something that will create the olfactory illusion of something that it's not... At least with my limited palette of only natural essential oils, absolutes, etc.

Morning Walk

"Bows and flows of angel hair and ice cream castles in the air
And feather canyons everywhere, i've looked at cloud that way.
But now they only block the sun, they rain and snow on everyone.
So many things i would have done but clouds got in my way.

I've looked at clouds from both sides now,
From up and down, and still somehow
It's cloud illusions i recall.
I really don't know clouds at all".
In contrast to yesterday's crying skies, bright sunrise graced this morning, improving the moods of the city's inhabitants.

I walked down Bute street for my daily faux "morning commute", and was bemused by the shapes of clouds and vapours on the horizon. Growing up with no TV, there were times when watching the clouds was our most exciting past time - second only to the daily sunset "shows" that coloured the horizon in all imaginable hues.

The rising sun's rays diffused through glass towers and other man-made obstacles to the East. But they can't stop it from making the grass of Harbour Green Park look greener, and the white sails and decks of the yachts at the marina look brighter and more ready to sail.


But strangely enough, it was the sounds of the harbour that captured my heart today. And that's what I want to write about before climbing up to my den and continue my harbour perfume composition. In contrast to the disturbing construction uphill on Bute street, the humming of engines; the crackling of the waves approaching the marina and collapsing against the decks, boats and rocks; the sloshing sounds of the trails left in the wake of marine birds and seaplanes descending onto the water -- embracing these sounds around me assured me that living in the moment knows no fear and embarking on any journey beings with a single step, a single breath and a single pure and simple intention.

Back to the Harbour

Today was a bright winter day. So beautiful that it reminded me of summer - easy to achieve when I'm at the warmth of my home looking at the sunny outdoors with the birds chirping on the tree. As long as I ignore how nakedly leafless the tree is.

And this sun was giving me just enough boost of inspiration to tackle the difficult matter of the Coal Harbour perfume. Those who have followed this blog know I've began working on it a couple of weeks ago. Those who can read my mind know that I've been contemplating this perfume, with mental notes and sketches of accords in my imagination (and recently also my notebooks) since summer 2009.

Artists are restless. The moment one thing nears completion (see: Etrog perfume) it only gives the confidence to approach more difficult projects that were avoided, procrastinated upon or completely neglected for no reason at all. And so with the progress on my Etrog perfume, I felt even more motivated to open the pandora bottle of the "Coal Harbour Accord" I built around seaweed absolute back in January. It was time to make it pretty.

I proceed cautiously and I will do so quietly for now. But what I have explored on blotter strips back in January is taking shape nicely in the bottle, drop by drop. And I've surprised myself when olibanum (frankincense) was calling for attention from the organ, waving to be included in this perfume. I always find it fascinating how one area of study or focus complements another. I've just finished writing about frankincense and it's been on my mind more than usual. And it seems just right in the perfume. Without me ever knowing it will be there. I love when surprises like that happen.
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