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Unfolding the Hundred Petals of Rose


English Roses, originally uploaded by Ayala Moriel.

The nightingale, and none beside, knows the full worth of the rose for many a one reads the leaf and understands not the meaning thereof
– Hafiz


There is so much to be said about roses. And there is no better time to say it than now: winter is coming to its end, and celebrations of life and love in the form of fertility festivals and chaotic carnivals where everything is possible have now been replaced by Hallmark holidays of subdued emotions, appropriately framed with heart-shaped molds and rose-red hues. Finding ways to express emotions have never been more trying. And saying it with roses, as cliche as this may seem, might be the only way to remain genuine and leave something to the imagination.

Botany
Rose is a perennial flowering shrub from the Rosacea family. The leaves are serrated and most of the rose bushes have thorns on their branches. There are over 100 species of rose. With the exception of some Southeast Asian rose species, roses are deciduous, and lose their leaves in the winter. The fruit of the roses is a berry called rosehip. Roses with many closed petals may not produce fruit at all, as the insects cannot access the pollen. Roses vary in sizes of the plant as well as the flower. There are some climbing varieties, some plain bushes. Rosehips are especially rich in vitamin c (especially those from the dog rose – Rosa canina – native to Lebanon and Israel; and Rosa rugosa, aka Japanese rose).

Cultivars, Hybrids etc.
Cultivated roses are hybrids of various types have more petals (which are, in fact, mutated stamen). The most important modern roses are the hybrid tea roses, which come hybrid of the above species with China roses. The China roses (Rosa chinensis) were less hardy, but produced successive blooms from summer through fall; and also contributed to the shape of modern roses (including the classic “bouquet” roses that we see at the florists); as well as more colour possibilities in hues of coral, orange and yellow.

20th century rose breeders focused so much on the size and colour of the roses, that most of the newer breeds of roses are not nearly as fragrant as the antique garden roses. And roses that are found at the florists usually have no scent at all.

Origins & History

Tidal Rose, originally uploaded by Ayala Moriel.

Most rose species are native to Asia, with only a few native to Europe, America and Northwest Africa. The following species are the ones used mostly in Western perfumery:

Rosa centifolia, originating in Persia, where it is called “Gul”. From there it spread to India (its Hindi name is Gulab-ka-phool); Rosa damascena, originally from Damascus (Syria);
Rosa gallica, the French or the apothecary rose, native to central and southern Europe; Rosa alba – a hardier type, white in colour.


Rosa chinensis mutabilis, originally uploaded by Luigi FDV.

China rose (Rosa chinensis) from the mutabilis variety is most important in breeding the Hybrid Tea roses of both old garden roses and modern ones. They are called that way because they change colours throughout their bloom: vermillion orange buds open to coppery pink flower and later on a deep crimson.

The biochemical makeup of the Western roses is quite different than that of the China roses (Rosa chinensis), as is their colour. Western roses are white, red or pink; while the China roses are yellow or orange. The biochemical implications, simply put, are that Western roses are dominated by geraniol, citronellol and damascones; while the China roses posses various carotenoid biochemicals, such as beta ionone. The result is an aroma that is quite different – sweeter, fruitier and reminiscent of violets and tea.

Myth
and Nomenclature
The name for rose comes from the Latin “Rosa” (red), which originates in the Greek “rhodion” and ancient Farsi “wurdi” (flower). The name “rose” also means pink or red in a number of Romance languages, as well as in Greek and in Polish.

According to Greek mythology, rose origins were in the body of a young nymph found by Flora. Venus (Aphrodite) has transformed it into the rose plant, which was than blessed by Apolo’s sunrays, given a sweet nectar by Bacchus (the wine god) and with fruit by Pomona, and blessed with the most beautiful flowers by Flora and the Celestials (Poucher’s Perfumes, Cosmetics and Soaps, Vol. 2, 1959, p. 205). Rose was originally white, but after the thorns have wounded Aphrodite’s feet, her blood has turned roses red.

War of the Roses
The War of the Roses is a chapter in English history (around the time between 1455-1485), where civil wars between two dynasties (Lancaster and York) competing for the throne, and their supporters took place. Each of the dynasties had a rose symbol -
Red Lancashire rose/ Red Rose of Lancaster
and the White Rose of York. When the Tudors took the throne, the War of the Roses ended, and a new symbol was created, called the Tudor Rose, combining the red and the white, to symbolize union between the two.

Some say there is a reference to that in Lewis Carroll’s Alice in Wonderland, where the cards are painting the white rosebush red, although this is a very shallow interpretation of Lewis Carrol's work.




Religious and Spiritual Rose Symbolism
In the state of union the single beings of other world are one,
All the petals of the rose are together one.

- Muhammad Iqbal

The beauty of rose and her perfume and the complexity of her petals made it a subject of symbolism since ancient times. The only other flower that is known for having an equal breadth and depth of spiritual symbolism is the lotus flower.

Wild roses, like most of the Rosales order (which also includes cherry and almond) have 5 petals, symbolic of the pentagram, or mankind (the 5-pointed star is attributed to the head and the 4 limbs). Symbols of 5-petaled rose are recurring in European art and symbolism (i.e.: the Rosicrucian order’s symbol), who only later on in history were exposed to the cultivated, multi-petal rose. And nowadays, rose is the national flower of many countries, not to mention political parties. White rose was the symbol of a peace movement in Germany during World War II.

The multi-petals of cultivated roses grow give the flower the quality of mystery: it hides the stamens and holds its secrets… These petals also grow clockwise, in a spiral movement. This shape alludes to growth, expansion and is a metaphor to the universe. Spiral movement is eternal to both direction – the microcosm and the macrocosm.

Rose was sacred to the Egyptian goddess Isis.

In Hinduism, rose is considered Lord Krishna’s favourite. Hindus wash their alters with rosewater. According to the chakra system, the heart chakra is green, but when we are in love it turns to a rose colour. Likewise, rose flower grows out of a green thorny plant and represents the most elated state of the species (according to Ivan M. Granger).

In Judaism, rose was mentioned in the Song of Solomon as a thing of beauty found amongst the thorns, and is one of the seven perfumes mentioned in the book. It’s important to note, that there is also a fair amount of confusion between the names “shoshana” (the name for lily in modern days), or “vered” (the modern Hebrew word for rose).

In Kabala, the 22 letters of the Hebrew alphabet are said to form The mystical rose of creation, with the three mother letters forming a triangle in the middle (relating to the three elements – fire, water and air), surrounded by the 7 double letters which are symbolic of the 7 ancient planets, and finally by the 12 single letters, corresponding to the 12 Zodiac signs and the 12 tribes of Israel.

The beauty of rose in Ancient Greece and Rome were attributed to the goddess of love, Venus or Aphrodite. Wild rose was placed on the door of rooms where secret meetings were held. Alchemists considered rose to be associated with the element of earth, with the solar plexus or the heart, and with either the Sun or the planet of Venus.

In Christianity, red roses symbolize the blood of Christ, sacrifice and are associated with the heart. The colour of roses and their sweet, fruity, wine-like scent made them connected to wine, the refined symbol of Christ’s blood.
White roses symbolize the purity and virtue of the Virgin Mary.
Prayer necklaces called Rosaries were made from fragrant rose beads (see recipe here).

The Muslims loved rose above all other flowers. Mohammed’s sweat said to have the scent of attar of rose, and he is known for his love for women, children and perfumes above all things on this earth.

The Sufis practiced meditation in rose gardens, which are the most important theme in Persian art – Persian miniatures as well as carpet designs depict such rose gardens. A recurring theme in Sufi poetry is that of the rose and the nightingale. The nightingale is the lover, longing for the love of the rose, which he expresses in sad love songs through the night. These are of course metaphors to the Sufi in search for closeness to God.

Different Colours, Different Meanings
In the Victorian Language of Flowers, roses of different colours signify different emotions, meanings and messages for their recipient. Some of these meanings remain valid till modern day.

White roses: Purity, innocence, eternal Love, silence, wistfulness, virtue, purity, secrecy, reverence and humility. The white rose in the hand of The Fool tarot card signify that pure innocence and a "tabula rasa" awaiting learning. White roses are often used in bridal bouquets.

Pink roses: New love, happiness, romance, admiration, sweetness. Dark pink roses express gratitude; while pale pink mean joy of life, youth, energy and passion. Light pink roses are of the most popular after red ones.

Red roses: True love, passion, desire. These roses are most used among lovers.
Red roses also appear in The Empress card in the tarot's major arcana.

Yellow roses: Friendship, platonic love, jealousy, infidelity, dying love.

Orange roses were introduced to Europe only later on, and signify a combination of the emotions that both red and yellow coloured roses represent.
Coral hued roses were especially rare, and meant desire, passion and enthusiasm.
Orange roses also mean desire and enthusiasm, but also could mean pride.

Lavender roses: Love at first sight.

Blue roses:
Mystery, attaining the impossible

Black roses (which are really just a very dark red): death, farewell, separation, hatred - or rebirth and rejuvenation (which are really the other side of the coin of endings and death).

Medicinal and Therapeutic Applications

The most therapeutic type of rose is the Rosa centifolia (rose of hundred petals). Interestingly, it’s Sanskrit name, shatapattri, has the same meaning. Rose is used in aromatherapy for its soothing properties. It is a heart tonic and also helps to ease women in labour and helps to balance the hormones.

Ibn Sina (Avicenna) employed attar of rose and rosewater for treating ailments of the digestive tract.

The scent of rose gives one a sense of well being. It is an oil that has the greatest effect on the emotions, helping to cope with loss, grief and promote self-esteem and confidence (especially in women). The latter quality makes it act as an aphrodisiac: when a woman feels confident in her sexuality, she feels more at ease to seduce and engage in romantic relationships.
Gulab Lassi is an Ayurvedic rose aphrodisiac.

In Ayurveda, rose is used to balance the heart. It “balances Sadhaka Pitta, the subdosha of Pitta that governs the emotions and their effect on the heart” (reference here). Rose soothes the heart and the emotions. It also balances the mind, connecting the Sadhaka Pitta to the Prana Vata (the subdosha of Vata dosha that governs the brain, head, chest, respiration, sensory perception, and the mind). Rose is unique in that it balances all three doshas.

Ayurvedic doctors use rose to treat hormonal imbalances that result in amenorrhea; as well as treat migraines and headaches, loss of vision, sore throat, inflamed tonsils; and emotionally – to cope with nervousness, grief. Rosewater can be sprayed onto eyes suffering from inflammation or infection.
Gulkand (a rose petal jam) or Gulkand sharbat (rose syrup) can be eaten on its own, or added to milk or yoghurt, to achieve a cooling effect on the body.
(sources: Kamlesh Ayurvedea, and Medicinal Use of Flowers at Home).

Rosehips are used to treat colds and influenza (because of their high vitamin C content). Rosehips have anti-inflammatory properties, and were used to treats osteoarthritis. They also aid in treating urinary tract problems, and assist in preventing cancer and cardiovascular disorders, because of their high level of phytochemicals such as carotenoid pigments, plant sterols, tocotrienols... (source).

Flavour & Culinary Uses
Roses as a flavour are especially popular in India and the Middle East as an addition to desserts and beverages; and to a lesser extent in Europe, particularly France.

In the Middle East, Persia and India - rosewater is added to sherbets, ice creams and pastries (i.e.: harissa, basboosa, baklawa and rasgulla) as well as to flavour fruit salads. Rosewater confections are also popular in Turkey, Greece and the Balkan (Turkish Delight, for example). In the Ukraine, rose petal jam is paired with vanilla ice cream. Rose petal jam was adopted as an aromatic additive to pastries, pancakes and waffles and pastries such as scones or croissants, and fresh rose petals can be added to crepes.

Rose petals are also used to flavour tea: Chinese Rose Congou tea is made by perfuming black China tea with layers of fresh rose petals. Some of the petals remain in the tea. Royal tea is an Assam black tea blend with dried rose petals and vanilla, often served with milk. I particularly enjoy adding rose petal to a milky Earl Gray tea with vanilla. It turns it into a heavenly affair, a soothing and luxurious elixir.

The rosehips are made into a jam or jelly, as they are rich a relatively high in pectin. They are also very popular as a tisane, on their own or as a base for fruit-flavoured tisanes, particularly berry-flavours, because of their sour flavour.

Cosmetics
Rose otto and rosewater have rejuvenating, moisturizing and anti-aging properties and is an excellent additive to skin-care products and skin-care regime for dry or mature skin. Rosewater tones the skin and gives it a healthy glow, and also is used for cooling the skin in Ayurvedic cosmetics – on the principle that it helps to balance the Bhrajaka Pitta (the subdosha of Pitta that governs the biochemical aspects of the skin).

In Ancient Greece, dried rose petals were ground into a powder and applied to the skin as deodorant (Poucher’s “Perfumes, Cosmetics and Soaps, 1959, vol. 2, p. 206).

Rosewater blended with glycerin is an easy, simple and pure homemade lotion, and can be prepared at home (which will result in a purer product - without the red colouring and any other possible additives or artificial scents used in rosewater & glycerin that is bough off the pharmacy shelves).

Rosehip seed oil is also a wonderful oil to be used in skin care, massage oil and cosmetics. Its high content of oleic, linoleic and linolenic acids, carotenoids and beta-carotene, it has antioxidant and healing properties to the skin, making valuable for cosmetics to prevent dryness and aging, age-spots, wrinkles, as well as for use for various skin conditions such as acne, dermatitis, eczema, psoriasis and more (reference).

Rose oil added to facial elixirs will leave your complexion with a youthful glow.

Tomorrow:
Stop to Smell the Roses - Rose in Perfumery


Decoding Obscure Notes Part VIII-C: Perfuming Tobacco and Tobacco in Fragrance


curing tobacco, originally uploaded by bunky's pickle.

Here we further explore the relationship between perfume and smoke...

Perfuming Tobacco
Once the tobacco has been cured, many types of tobacco undergoes further processing by adding a scent. In some the perfume is more distinct than other, such as in cigars and pipe tobacco. Once the leaves have completed fermentation and curing and prizing, the may be sprayed with an appropriate perfume for their final use. There are different tobacco perfumes for cigars, cigarettes loose-leaf tobacco, snuff, shag, etc.

Some of the essences most popular for use in tobacco perfume are: vanilla, tonka bean tincture (as well as coumarin), vanilla (most popular in cigar perfumes), cedarwood, rose otto, sandalwood, patchouli, cascarilla, geranium, orris tincture, citrus oils, and even expensive flower oils such as orange blossom, tuberose and jasmie (in Turkish and Egyptian cigarettes), spices (such as cinnamon, cloves and nutmeg) and spirits such as brandy.

In Middle Eastern tobacco for narguilla (aka shisha or hooka), tobacco is sweetened with molasses, honey and dried fruit and blended with flavours such as rose, mint, apple and other fruit.

The Scent of Tobacco
Tobacco absolute is solvent extracted from the cured tobacco leaves. Only a very small portion of the tobacco produced is extracted for perfumery uses though. The absolute is a thick dark brown (almost black) semi-solid mass which discolours perfume into a dark brownish green (posing a disadvantage right there and than to the perfumer). An incolour absolute is also available, reducing that disavtange to some extent. The scent of this absolute varies depending on the quality of the tobacco leaves extracted. Some can be more flat, dry and woody, with a certain tannin-like quality, reminiscent of black tea and mate absolute and with musky undertones. Other can be fuller, more animalic and rounded, with more body and nearly chocolate-like richness. Although potent and long lasting, tobacco is a scent that can easily get “lost” in a composition, and in a sense – less is more. It really needs to be diluted down to be fully appreciated as a raw material; and needs to be used in a small quantity with complementary essences in order to truly shine.

Perfumery Uses for Tobacco Absolute
Tobacco is obviously a key component in the tobacco and leathery families. With its tannin quality, it makes a perfect base for leathery scent, along with castoreum or hyraceum tinctures, and cade oil or birch tar. And of course for the tobacco families – all one needs to do is take sufficient amount of tobacco and tobacco-like essences and pair them with the essences used to flavour tobacco to create the impression of your choice (see above). Depending on what you choose, it will smell more like pipe tobacco, cigar, cigarette, etc.

But the uses for tobacco do not end at the leather and tobacco families. Tobacco is a beautiful and versatie material in masculine fragrances, from the woodsy type in particular. It blends beautifully with all woods – vetiver, patchouli, sandalwood, cedarwood, juniper etc. And it adds a polished, sophisticated feel to what otherwise would have been plain citrusy colognes. Tobacco works beautifully with florals, especially rose and orange blossom. And in the citrusy or fresh context, orange blossom, lime and tobacco are a match made in heaven.

Some tobacco perfume worth mentioning (and experiencing!) are:

Feuilles de Tabac
Tabac Blond
Kouros
Field Notes from Paris
Bohem
Ava Luxe’s Film Noir
Guerlain’s Vetiver and Heritage
Jasmine et Cigarette
Quorum

If you missed the previous article about tobacco, click here and here.
Next in our tobacco series: case studies of using tobacco leaf absolute in natural perfumes.

Decoding Obscure Notes Part VIII-B: Tobacco - Origins, History, Medicine & Curing


Tobacco in the Field, originally uploaded by Mike the B.

Tobacco is one of the most strange, unusual, misunderstood and challenging notes in perfumery. There seems to be a fair amount of mystery surrounding fragrances from the tobacco family, which is why it makes a perfect fit for the “Decoding Obscure Notes” series.

Tobacco as a fragrance family name is used almost interchangeably with Leather. Interestingly, the relationship between perfume and those two seemingly unrelated artifacts are quite fascinating.

Origins
Like several other important members of the nightshade (Solanaceae) family, tobacco is native to the Americas and the West Indies. There are two main species of tobacco that are used aromatically, medicinally and commercially. Nicotiana rustica, which is a wild tobacco that is native to the West Indies and Eastern North America (i.e.: USA and some parts of Canada), and was the one used by native Americans since time immemorial; and Nicotiana tabacum which is indigenous to Central and South America and only later cultivated with much commercial success in North America in the state of Virginia. The name tobacco likely originated in the Tahitian word “tabaco”, a Y shaped pipe for inhaling the plant’s smoke through both nostrils.

History & Cultural Significance
Tobacco is a sacred plant in all Native American tribes. The first to use it were probably the Mayan Indians, and its use was spread throughout the entire continent. Tobacco was an essential element in most Native American rituals, and was used in different ways: placed as an offering to the gods or the spirits, burnt on the fire, smoked in a pipe or the leaves were rolled into the ancient forms of cigars in South and Central America (at times also elaborately decorated). Pipes were smoked to “seal deals” and agreements between tribes. The pipes themselves have a symbolic meaning: the “straw” part is considered projective or masculine, and the bowl where the tobacco is burnt is considered receptive, or feminine. There is a significance to the materials from which the pipes are made as well, and cultural messages hidden within the decoration of some pipes (which has become particularly elaborate in Central and Southern America).

Medicinal Properties and Health Issues
The Indians’ reverence for the plant and great respect to its powers prevented them from becoming addicted to it. They usually did not inhale the smoke when smoking the pipe. And the plant was used medicinally to treat many ailments (asthma, fever, bites, stings, and to clear the head). Tobacco was administered in different ways – i.e.: chewing, snuff and smoking.

Tobacco’s medicinal properties seem quite aggressive – it’s considered a “sedative, diuretic, expectorant, discutient, and sialagogue, and internally only as an emetic, when all other emetics fail” (Botanical.com) but I suppose there is place for these actions too in some cases, as long as it is used appropriately and with caution.

The principle constituent in tobacco is nicotine (by the way – both the chemical and the Latin name for tobacco are named after Jean Nicot, the French ambassador in Portugal, introduced the plant to France). This alkaloid a clear, poisonous oil and appears in larger proportion in the plants grown in their native territories.

Ironically, once introduced to the Western world by the European invaders, tobacco has become one of the most dangerous plant substances in the world, resulting in illness and death of millions one in every ten adults dies from tobacco use world wide. Every 8 seconds someone dies because of tobacco. And to read more grim facts about the consequences of tobacco abuse, click here). And if you’re interested in digging even deeper into the history and the medicinal uses of tobacco, read this.

Curing Tobacco
What do leather and tobacco have in common? Quite a lot, actually. Both require a curing process before they can be used. And in both cases, aromatic substances and perfuming are involved in different stages of the process.

Like several aromatic botanicals used in perfumery, tobacco requires a fair amount of processing before being used (or extracted). For example: vanilla beans must be left in the sun to cure to bring out the vanillin; patchouli leaves must be dried and matured for quite sometime to improve their scent; and iris rhizomes must be peeled, dried and stored for 3 years before they are extracted to produce orris butter. In the case of tobacco, the raw leaves have a bitter taste and not a particularly pleasant smell either. Nicotine, the substance that gives tobacco most of its medicinal (and addictive) properties, supposedly also protects it from insects and makes it not a very friendly or attractive thing in its raw form. Although it was used raw medicinally (the leaves were chewed or squeezed for their juice), it is hardly the sophisticated aromatic that we have learned to recognize as tobacco.

Tobacco leaves acquire their distinct aroma only after they have been cured, a process that involves the alchemical work of enzyme to change their aroma, colour and flavour. Curing can be done in several methods to produce different results and types of tobacco.

Air Curing is a relatively simple process although it has a few stages. Depending on the climate of where the tobacco is grown (i.e.: how humid or hot the air is plays an important factor), the leaves are simply air dried, either outdoors or indoors in well-ventilated curing barns or champers especially built for them (usually right near the fields). What you see in the photo above is the original method for curing, where the entire plant is cut and placed upside down so that the leaves air-dry straight (more or less). Air curing can also take place indoors, in curing barns with a gradually increasing temperature from 33 to 77 degrees Celsius over a period of 5-7 days. Once dried, the leaves are brittle and fragile; therefore, the doors of the barn are opened on a humid day so that the leaves are soft again and can be removed from the stems and stacked into piles of about 20 leaves per pack. They are left there to fully ferment and develop a uniform brown colour. The process takes about 8 weeks. The result is a tobacco that is light in flavour, and has higher level of nicotine.

Fire Curing occurs indoors in curing barns where hardwood fire is kept for several days to produce a smouldering smoke. This also produces a high nicotine level and is mostly used for pipe tobacco, chewing tobacco and snuff.

Flue Curing is a method that heats the curing barn through pipes, without the exposure to the smoke itself. Flue curing produces a tobacco that has more sugar, and less nicotine, that is used for cigarettes.

Sun-Cured tobacco is the result of leaving the tobacco outdoors and exposed to the sun. After 4-5 days in the sun, the leaves are taken indoors into a well-ventilated barn at 22 degrees Celsius where they will become soft and can be packed. This method is mostly is used in the Mediterrenean region (Turkey, Greece, etc.) to create oriental tobacco, which is used in cigarettes and hooka (sheesha) blends and is low in both sugar and nicotine.

After curing, there is a process of fermentation: The stacked leaves are left to ferment until they reach once the leaves are stacked, and reach a temperature of about 55 degrees Celsius. After a month they will reach a uniform brown colour, and than they are prized which entails pressing the bundles of leaves into big bulks of 1000lb each. The pressure has to be just right to avoid discoloration of the leaves; and often times rum, vanilla or molasses are added as well at this stage.

Decoding Obscure Notes Part VIII-A: Tobacco Flower


Tobacco Flower, originally uploaded by taberandrew.

Fragrant tobacco flowers comes from different species than those used for smoking, chewing, snuff etc. The flower of the Nicotiana affinis species are particularly fragrant, especially as the evening falls, and are an interesting subject for the perfumer.

Although tobacco flower absolute is technically possible to create, it is not normally available to the perfumer, and Arctander’s description is that of the fresh living flowers, rather than the extracted absolute: “ The fragrance of this flower is extremely delicate, yet rich and sweet, spicy-floral, somewhat reminiscent of carnation with a fresher note, almost fruity”, and likens it to “Sweet William” (a type of fragrant carnation).

Poucher includes a formula for tobacco flower base in his 1st volume of “Perfumes, Cosmetics and Soaps”, which includes rose, carnation, clary sage, honey, jasmine, immortelle absolute, birch tar, coumarin, vanillin, para-dimethyl hydroquinone and more to re-create the flower’s unique aroma.

The tobacco that is used in perfumery more often is from the cured leaves, and that will be discussed in greater detail in the second part of the article about tobacco.

For more about tobacco and perfumery click here and here.

Geranium, Green and Minty


, originally uploaded by Rod the Rabid Rodent.

, originally uploaded by Rod the Rabid Rodent.

More often than never, geranium essential oil is used for its crushed leaf effect and fresh herbaceous qualities. As mentioned earlier, the presence of menthone and isomenthone renders geranium leaf oil’s freshness and minty character. Linalol makes it a little similar to lavender, and geranium overall is often considered an herbaceous and leafy raw material. In addition to that, the citrusy elements (i.e.: limonene) make it especially favourable in masculine fragrances.

You’ll find geranium in many masculines for men, though rarely will it appear in the name of the scent (the days of Geranium Water are long gone!) or as a major theme. Geranium can be find in classi fougeres such as Azzaro and Canoe, but also in more modern ones such as Cool Water, and the new emerging classification of fougeres for women, beginning with Sarah Jessica Parker’s quirky Covet (where it’s paired with cocoa, citrus and sharp florals to produce a “fougere on estrogen”) and Deseo for women (it smells more like a fougere than the mossless “Chypre” its supposed to be).

In Fougeres, geranium is mostly used for bouqueting the composition, adding the roundness that florals such as rose and jasmine are usually utilized for in “feminine” scents; because while it does provide a similar effect, it is also far less expensive, as well as has that edge of being herbaceous and leafy, preventing it from being too flowery for a man to wear (even though the distinction of florals being feminine is relatively new even in the Western world).

In l’Herbe Rouge I’ve used geranium for exactly that purpose – it’s a fougere composition, yet I wanted to use something to create harmony among the mossy, earthy base (oakmoss, hay, patchouli, vetiver) and the crisp, sharp lavender and juniper top notes. It seems to work really well alongside the leafy lemongrass as well as the spicy clove heart notes.

In the Bois d’Hiver candle, we replaced the rose with rose geranium (for economic purposes – rose otto would make the candle prohibitively expensive, and even the less expensive rose absolute still comes at an outrageous price). In that context, it does well, even though I don’t know about using it in the perfume formulation. I think the florals make it really rich (Bois d’Hiver has rose otto, jasmine and orange blossom).

For the purpose of researching geranium, I’m now doing an experiment replacing rose geranium in a few of my more “masculine” scents instead of the rose, i.e.: Democracy and Rainforest in particular. I think these two might actually benefit from the crispness of geranium and could do without rose’s overwhelming complexity. In Democracy it seemed to have worked fine so far, with half the amount that I usually use for rose otto. Economic indeed.

These days I’m working on a geranium perfume. My main challenge is to give geranium the centre of the stage. I’ve started with a version that is leafy-green and a littly minty. Rather than pretend the herbaceous and leafy green aspects are not there and try to mask them, I’m attempting to bring them out by using several geranium kinds (Madagascan, Morrocan, Egyptian and Bourbon), paired with peppermint and rosemary to accentuate the minty-herbaceouse qualities, lemon and grapefruit to highlight the citrusy aspects, and vetiver and tobacco base notes to support the woody dry out of geranium oil.

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