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Après l'Ondée

Rain shower may leave a trail of scent behind, or may draw an invisible curtain hanging in the air; suddenly brightening the spirits and reviviving the thirsty plants and soil. Suddenly, one becomes aware of the possibility of other realities, of luscious greens and patience and calm. After the first rain in the dry lands, the earth releases a special scent emitted by the myriads of organisms inhabiting the upper layer of the soil – a musty and clean scent of wet earth. However, in places blessed with rain all year around, those scents are less than evident except for those times when the earth had enough time to dry and lust for water.

When I first heard of Après l'Ondée, I was longing to try it and could not find a trace of it anywhere until a few years later. However, I was so fascinated by the idea of it, that I immediately set to design a perfume as an homage to the scent after the first rain in my home village. The result was Rainforest – ironically a scent that is more similar to the rainforests of the West Coast, the exile in which rain bares no precious values. Nevertheless, it gives on the feeling of a veil that have been lifted after the first rain to reveal life and hope, while also portraying the wild greenness of the West Coast rainforests.

Après l'Ondée paints a completely different post-rain olfaction scenery, one that was for the most part foreign to me, until I traveled to countries where rain showers appear uninvited in the midst of summer, shuttering the delicate and fluffy blossoms of tiny purple flowers. Après l'Ondée is shy and quiet, like the cyclamen flowers hiding in the hollows of grey rocks, as if to escape the raging thunder storm.

The cool and distant powderiness of orris and violet is soft and obscure, warmed by anise and carnation, and underlined with a quiet resonance of jasmine and subtle vanillic accord – like a dreamy summer-stroll along the dusty paths of a flower garden that suddenly was given away to a gently showering overcast, a reminder of the intimate closeness between beauty and melancholy.

Top notes:
Bergamot, Aniseed

Heart notes:
Violet flower, Jasmine, Rose, Carnation

Base notes:
Iris roots, Vanilla, Heliotrope

Powdery Incense Recipe - inspired by Après L'Ondée

2 Tbs. orris root powder
2 Tbs. sandalwood powder
1 Tbs. Frankincense tears, ground or crushed
1 Tbs. Siamese benzoin
1 Tbs. Sumatran benzoin
2 Tbs. lavender buds
30 drops lavender essential oil
20 drops Aniseed essential oil
10 drops jasmine absolute (optional)
1⁄4 tsp each: finely and freshly ground mace, nutmeg, coriander
1⁄2 tsp. Aniseed, finely and freshly ground

Measure the dry ingredients. Crush or powder the ingredients in a mortar and pestle or a coffee grinder. Stir well with a fork or chopsticks. Store in an airtight container and let the oils soak in well into the powders. After one week, you can use as an incense (burn a charcoal pellet and place a pinch of incense on top; refresh as needed. You may also use this to fill sachets.

I love to use the traditional mortar and pestle for grinding my spices, made of marble. Brass and wooden ones may be used as well. Coffee grinder will require less work, but is incomparable to the pleasure of seeing the spices and resins gradually crushing while slowly releasing their extraordinary aromas. Orris root and sandalwood are readily available in powdered forms, and so is Siamese benzoin. These can be found in herbal stores. Frankincense and other incense are available in many Catholic church stores.

Decoding Obscure Notes Part II: Iris, Skin and Powder

The subtlety of musks and their similarity to the scent of the human skin is not unique to musks alone. There are other notes that possess similar qualities – the oiliness of orris butter is reminiscent of the soft and sweet odor of a newborn baby’s head. At the same time, it has a cool, watery and even slightly earthy aspect to it.

Orris root absolute is one of the most precious perfume materials. The roots need to be peeled and aged for a long time before extraction and distillation. It is invaluable in perfumery, for its powdery and delicate aroma and its role in floral compositions (especially those which require a violet-like touch). Orris is also used to soften woody, floriental and oriental compositions. Orris is one of the notes that make the Guerlain perfumes so soft and unique – it is one of the notes in the infamous Guerlinade. It’s role is of particular importance in Apres l’Ondee, Shalimar, l’Heure Bleue and Samsara. Recently, an orris theme has been receiving more attention by niche houses – Hiris (Hermes), Iris Poudre (Frederic Malle), Iris Silver Mist (Serge Lutens), Bois d’Iris (The Different Company), Iris Nobile (Aqua di Parma), Hirisa (Creed), and even the more mainstream Dior Homme released last year by Dior.

But orris is not the only note that has a distinct powdery and soft character that resembles the human skin. Some on their own – and others give this impression off only once they become part of a more complex accord.

Guiacwood
From the wild jungle tree of Argentina and Paraguay. The oil is waxy, fatty, almost skin-like, slightly smoky and with a unique tea rose scent. It is often used in tobacco or leather compositions as well as in masculine spicy and woody orientals. I have yet to smell a distinct guiacwood note in a perfume that is not my own, though I am certain and it is not officially listed as a note in very many perfumes.

Mimosa
Delicate and powdery, from the abundant yellow blossoms of the mimosa bush has a fragile top note that is somewhat soapy, reminiscent of cassie and slightly honeyed. Despite its powderiness, it is far smoother and more subtle than orris.

Cassie
A relative of the mimosa, cassie has a more pronounced floral-powdery scent, and is very delicate floral base note. It is warm, powdery and slightly spicy, herbaceous and warm.

Cabreuva
Cabreuva are extremely hard woods from Paraguay, Argentina and Brazil. Cabreuva has a very unusual watery, delicate floral note reminiscent of cassie, lily of the valley and mimosa. It has a scent that I cannot describe better than “watery”. When I smell cabreuva, I feel as if it gently rinses my brain with water… It feels clear and clean, and strangely soft and warm all at once. It adds those characteristics to perfumes as well – giving off a soapy, clean, watery feel…

Rosewood (Bois de Rose)
A by product of the rosewood furniture industry (steam distilled from rosewood dust). Rosewood contains a lot of linalool, a bright, clean, heady yet soft aroma chemical. Rosewood is a light and floral top note, powdery-smooth and slightly rosy (henceforth the name) and is not unlike lavender, but less herbal and slightly dried than lavender – and indeed often accompanies lavender to create a soft, powdery effect in fougere scents.

While orris and guiacwood have the oily, skin-like and powdery qualities on their own – notes such as mimosa, cassie, cabreuva and rosewood are more often used either as a theme or as a supporting note in a floral composition. Nevertheless, they are responsible for making a heady floral more personable by adding a pulsating suggestion of human bare skin – either freshly showered, or warm and smooth – either way, pulsating with sensuality that is strange and familiar at once…
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