My interest in lavender as a theme awoke while researching and comparing the different lavenders, and I felt tempted to construct a lavender-violet perfume, inspired in theory (yet not actual result) by the iconic Gray Flannel. As I've been resurrecting my notes about lavender (later to form a more comprehensive text), I've also dug up and re-blended a couple of old formulas surrounding this spectacular note.
The first one, a masculine fougere utilizing the complex, velvety lavender-confiture of the concrete form (concrete is one stage before the extraction of the absolute, still containing all the floral waxes) contrasted by rosy geranium, sweet vanilla and musky oakmoss - resulting as I recall in a very musky fragrance (even though any animalic notes are deliberately absent). This was designed in 2001 as a sketch for wedding perfumes. Besides being that velvety-smooth fougere with buttery-musky feel to it, it can also work as a fougere base when a touch of fougere complexity needs to be added to a composition.
13.8 Lavender Concrete
10.3 Green Oakmoss Absolute
10.3 Lavender Absolute
7.1 Clary Sage
13.8 Geranium Bourbon
13.8 Lavender Oil
The second one, a custom scent to a dear lady named Branka (also in 2001), in an attempt to bring back the good memories of summer holidays before the dreadful civil war in former Yugoslavia, spent on an island in the Baltic sea - surrounded by cypress and pine trees, sage and lavender. Since this is a custom scent I will not reveal the exact proportions, just the fragrance notes:
Top notes: Pine, Cypress, Bulgarian Lavender
Heart notes: Violet Leaf, Bulgarian Rose Otto, Clary Sage
Base notes: Lavender Concrete, Oakmoss, Patchouli
The next phase of this experiment was to create a new lavender, that violet-lavender thing I've been creatively craving. I will tell you about this later.