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Sweet William

Ineke's Floral Curiosities anthology of soliflores for Anthropoligie continues, and the newest flower in this poetic garden is Sweet William (Dianthus barbatus).

I had the pleasure to smell & wear Sweet William over dinner & Kir with Ineke and her husband Bill - and immediately fell for this delicate, spicy, warm yet fresh composition.

Sweet William opens with fresh balsamic peppery notes that reminded me of another favourite - Si Lolita. It is, however, more dusky and violetty than the latter. Carnation accord being the centre of attention, with complementary strokes of ionones, redolent of candied violets and accompanied by velvety cedar (a wink to Evening Edged in Gold, which also had a rich cedar, fruit and spice accord), which give it a purplish hue and a slightly serious, almost regal personality.

The base notes are those of rich woodsy patchouli and powdery musk, which dries down to a clean, dry patchouli and white musk notes. It is not in the least overpowering, but has an incredible staying power and stays on even after a swim and a shower, with slightly berry like musky notes.

Ineke's soliflore treatment is modern, abstract and rather than just dissecting and replicating Sweet William, she's created a stylized impression of this carnation's particularly sweet-spicy-velvety personality (other carnations have a slightly rosy-green aspect that you won't find in here), and create a memorable scent from an otherwise low-key, modest flower.

The notes, according to Ineke's press release, are peach, cloves, cinnamon, cedarwood, sandalwood, patchouli and bourbon vanilla.

Midnight Violet Cocktail

Midnight Violet Cocktail

At long last, my search for available violet liquor in Vancouver have found their victim: Legacy Liquor Store had the last bottle on their shelf of Giffard Violette. Considering that most of this company's products are flavoured syrups for cocktails, it not only not blow my socks off when I tasted a bit on its own. It actually reminded me of a vitamin syrup I had to take when I was little (I think it was vitamin D, but it could have been something else). Not awful tasting, but definitely not what I'd expected a violet liquor to be like. To be perfectly honest, I think I would have been far better off insfusing vodka with my own concoction of violet-like herbs and essential oils. But I had to feed my curiosity and know what the "real thing" is supposed to be like.

So, with much hesitance, I tried my concocting my first cocktail with it last night with my friend Miriam. We looked up some recipes online, and each looked less promising than the next (i.e.: third of each violet liquor, Marachino liquor and heavy cream - no thanks...). We settled on what seemed the most sensible of all, and the least cloying. And voila - a cocktail of our own was born, which was quite enjoyable and with a beautiful blue hue to boot!

1/2 oz homemade elderflower cordial
1/2 oz violet liquor

1 oz gin (we used Hendricks, which has lovely floral backnotes of rose)
Shake with ice and top with San Pellegrino or another unsweetened carbonated water. Garnish with 3 crystallized violet petals for an extra touch of retro feel, and more of that purplish-blue colour.

Santal de Mysore

the fish curry spices by bognarreni
the fish curry spices, a photo by bognarreni on Flickr.

As I was riding the train through Central Valley (California) back in June, all kinds of things were happening -
A girl of 10 or so was going for their first train ride ever; people were getting on and off, and Santal de Mysore was slowly unfolding on my wrists (mostly just dissipating), with no sandalwood in sight. I had some dabbed on my scarf as well, and it was lingering on it nicely. I've put it on early in my trip, as soon as I felt awake enough to surround myself with rich spices that won't disappoint a visit to the nearby Indian restaurant (which I doubt there is any in Central Valley, but a person can dream!).

It's exactly those spices which grabbed me at first and nearly convinced me to buy a bottle right there and than at Scent Bar. Even at the heat and humidity of LA it has its charm and it was all over me on the evening when I tried it first. And with a name so appealing, suggesting an extinct tree whose scent only haunts my dreams, it was very easy to go the impulse way.

True Mysore sandalwood is a thing of the past; over-harvesting, and practices that don't really change reduce Indian sandalwood oil to a ghastly mirror of what it once used to be: to achieve the creamy, milky, slightly floral and sweetly musky aroma of sandalwood, one must wait, patiently, for 50 years before uprooting the tree and distilling its entire heartwood, including that which comes from the roots. Nowadays, the only "ethical" sandalwood oils that comes from India are from plantations that are supposedly replenished, yet from much younger trees (20-30 years old), before they obtained their aged character. Rather, you get rancid, sour wood. Which on my skin, personally, only gets sourer as it unfolds.

But I digress from the main theme of this post, which is how does this perfume smell? It just so happens to have Mysore sandalwood in the name (and the premise, or promise, or price point). In reality, Santal de Mysore is a savoury perfume interpretation of garam masala, and with a French take. And by that I mean - it has cumin in it. When I was in an Indian restaurant in Grasse (Sothern France), the food was completely free of spices, except it had tomato sauce and cumin, which was supposed to be the adventurous, exotic part of the dish. It stays rather linear - with the spices and woodsy, resinous notes of immortelle, turmeric and cumin slowly fading away, with the only spice missing being shallots and perhaps some asafoetaida. There are only hints and suggestions of other ambery and woodsy components such as vanilla-like benzoin, dry wood and cistus. And all along, alpha ionone is casting its dark, shadowy candied woodchips and crystallized violet notes, which became the trademark of the Serge Lutens brand ever since Feminite du Bois.

Santal de Mysore has more to it than just cumin, thankfully; but cumin and immortelle are certainly more dominant than sandalwood - that is for certain. Its charm lies in creating an "Arabie Lite" (and if you've read this blog from its very beginning, you'll know that I love Arabie) - not nearly as dense and dark as Arabie, as if the spices have left the mysterious souk and are already laid out on a plate with a steaming bowl of rice and naan on the side.

This is a classic example of "get a sample first". Because of the train ride association, and because it is an exotic yet soothing, warm scent - I enjoy wearing it very much. But for a far more intriguing spice mix, reminiscent of cold tamarind and dusty cobble stone streets, I will reach for Arabie; and for my sandalwood fix, I will have to look elsewhere. Perhaps in Vanuatu.

Attention Early Birds: Leather & Tobacco Week

For those among you interested in getting deeper into the world of perfumery and study how to create your own in much detail - Ayala Moriel's professional natural perfumery training course is a must!
Creative, fun yet structured and nurturing learning environment where you will meet other students and professionals, and learn the basic as well as advanced concept of constructing your own natural perfumes. We cover all areas of perfumery studies: olfaction (aka study of each raw material), how to sniff, perfume history, technical and lab skills, and - most importantly: composition.
The program is flexible and spans over the course of 4 years, in which you will attend bi-annual week long sessions at Ayala Moriel Parfums studio in Vancouver, every fall and spring (usually the 3rd week of September/ 1st week of October; and the 2nd week of May. Additional dates other locations where she takes her "traveling perfume school". Each week is dedicated to one of the main fragrance families: Chypre, Oriental, Fougere, Citrus & Colognes, Florientals, Leather & Tobacco, Floral Bouquets & Soliflores, Aquatic/Marine/Oceanic.

The next sessions are in the following dates, and are offered at Early Bird Rate of 20% off, thru July 30th:

Leather & Tobacco (October 1st - 5th, 2012)

Florientals (May 13th - 17th, 2013)

Course fees include tuition, course handbook with wealth of information, guiding exercises and resources, and of course - all the equipment, tools and natural raw materials used during the week long course at the studio.

Also only thru July 30th: Ayala's Foundation of Natural Perfumery Book (and correspondence course, which entitles you to 5 x 1hr sessions over phone/skype to address any specific questions and challenges you come across in your study) over the course of 1 year. This is a great way to start your studies for those of you who can't yet attend in person. It is full of hands-on exercises and theoretical assignments that will enable you to study natural perfumery thoroughly and understand the classic structure and principles of European natural perfumery. This correspondence course is usually $1,000, but until July 30th you can have access to this knowledge and training for only $350!
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