s

SmellyBlog

Noir Patchouli

hypnotic bokeh wallpaper by mav_at
hypnotic bokeh wallpaper, a photo by mav_at on Flickr.
In my recent visit to Scent Bar to pick up a birthday gift for my brother, Laura and Steven have given me a few samples – 2 of them being of patchouli scents with which I’d like to close the patchouli series.

Noir Patchouli by Histoires de Parfums is a more of a study in dry chypre than it is a patchouli per se. It opens with a very perfumey, old-world blast of blushed, rosy cheeks and fatty aldehydes, bringing to mind floral chypres of the caliber of Aromatics Elixir. Yet, there is a dry spiciness to it all that stops it from being cloying.

Coriander and aldehydes are the dominant first notes, underlined by a honeyed, lush rose absolute. The dry patchouli layer underneath it all is always apparent yet not exactly obvious as you’d expect from a perfume of that title. There is also a hint of tobacco leaf, or vetiver, or both; as well as hints of jasmine and indole – giving it an earthy, bitter tonality that at firstshifts its balance from smelling muddy and overcrowded to intriguingly light and well-composed, until it settles on the latter, once a dry musk takes the reins and disperses the rose into like dust particles that lift up from an unused leather seat that’s finally been claimed by its absent owner.

While I do find the initial blast of aldehyes more than a tad overbearing, it is worth trying it on for what’s to become of Noir Patchouli later on: a modern take on the patchouli-rose of yesteryear, updated with contemporary musks and acrid leather-woody notes that both complement the patchouli and bring the rose its due respect. It brings to mind other favourites from the musk-rose-faux-chypre genre, namely Agent Provocateur; yet while the latter demands to be worn by a lady, Noir Patchouli could be quite easily pulled off by a man, as long as they can handle a few mintues of oily aldehydes.

Top notes: Aldehydes, Coriander
Heart notes: Rose, Jasmine
Base notes: Patchouli, Tobacco, Vetiver, Musk

White Patchouli

Tom Ford White Patchouli

Tom Ford's White Patchouli comes with a surprisingly subtle ad, which - while very beautiful as an image, left me a bit puzzled:  the white porcelain-like bottle is sported by a very dark skinned female model. What is that suppose to mean? That the woman aspires to be white?!

Aside from that play on black and white, and taking a rather dark note and giving it a "white" name - there is nothing in White Pathouli to make me think of the full colour spectrum otherwise. I would have expected a play on the clean dryout note of some thin patchoulis. Rather, what I'm getting from White Patchouli reminds me a great deal of the mushroomy, berry-like ensemble of Black Orchid. If it was called "White Orchid" I would have been less dismayed at the contents of the white bottle, as patchouli barely resembles its sillouhette here. Instead, what reaches my nose at first is wine-y and resinous opoponax, berry notes and an overall fruitchouli nonsense. Let it sit a few minutes, and the more dry note quietly slithers its way with an ashen patchouli feel to it, but very plasticized and surrounded some other vague floral woods, perhaps rosewood. It's nothing offensive, but doesn't come close to the glorious richness and evocative mystery that so many other patchouli themed perfumes that I've described here before bring to the patchouli patch. The final drydown is a non descript wood with allusion to washed-out patchouli, oakmoss and musk with a masculine tendencies - but not what they now refer to as "unapologetically masculine", if you get my drift.
Back to the top