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Green Honeyed Sap

The following are two reviews for two perfumes that use honey in an unusual manner. Rather than in an oriental, honey note is used here to create the impression of sipping a honey-sweetened infusion of herbs and green tea.

Yuzu Citrus by Artemisia Perfume


The art of light and shadows, originally uploaded by eyecatcher.

Vibrant and bright citrus that is sweet and refreshing, like a honeyed ice-tea.
Yuzu Citrus opens with a startling bright green galbanum note, which leads the way to citrus scented lemongrass and lemon verbena leaves, the sweetness of honey and yuzu (the sweet effervescent Japanese citron) with a hint of floral notes, and based upon a balsamic-herbal foundation of clary sage and frankincense.

Galbanum notes weave in and out of the perfume as it evolves – at times green and bright, and other times balsamic and resinous with great staying power. Despite the use of yuzu in the perfume (and the name), this is not a disctintively yuzu scent. It is a green, honeyed, sappy galbanum.

The talented Lisa Fong from Artemisia Perfumes has created this perfume solely from natural essences. Ms. Fong is a former co-director of the Artisan Natural Perfumery Guild, and a student of Mandy Aftel. Her style is that of refined elegance, usually focusing on a particular essence or combination of essences and showcasing their unique characateristics (my other favourites from her line bear the titles Saffron and Jasmine Tea), which brings to mind Jo Malone’s perfumery, emphasizing the individual ingredients. However, I do find Lisa Fong’s perfumes to possess a greater depth and originality and have a better lasting power.

Yuzu Citrus is the most fresh and citrusy of her line. It is a green-citrus scent that is both refreshing and long lasting.

Top notes: Galbanum, Lemongrass
Heart notes: Yuzu absolute, Lemon Verbena, Honey, Harshingar Flowers
Base notes: Frankincense, Clary Sage

Green Grass & Sunshine by V'Tae


My Desktop: 01.29.2006, originally uploaded by powerbooktrance.

Katy has sent me this as part of a few ScentBloggers’ little game of Blind Scent Reviews. In her infamous humorous wit, Katy has titled this blind sample “Hermitt McDermitt” (named after a song title I am not familiar with, and therefore I immediately associated this with Hermitt the Frog!).

This deliciously refresghing green froggy-juice feels like a lemongrass tea sweetened with honey and made of steeping the fresh long fuzzy leaves – I can feel their roughness on my tongue as I sip it, I mean – sniff it. This scent really creates the illusion of being a drinkable, thirst-quenching tea! The galbanum is very dominant, but in a most appealing way as its balsamic qualities shine through and any sharpness is rounded off so all you get is the green of a fresh cut grass and sappy tree branches. There is geranium, lemongrass, galbanum and honey at the top and heart notes. The dry down is rather earthy, with patchouli, cedar and sandalwood and that are finally taken over by woody and earthy vetiver.

Top notes: Galbanum, Geranium, Lemongrass
Heart notes: Honey
Base: Cedar, Patchouli, Sandalwood, Vetiver

To read Katy's review of this fragrance, click here. To read the Blind Scent Reviews of both Marlen and Myself - visit this page.

Celebrating with Apples: Lovely Liquid Satin


bourre, originally uploaded by moonchild.

I promised you a scent with an apple note, and you are going to get one now. But first I have to make a little confession. I just got my first ever celebrity perfume. Obviously not because of the celebrity (I love her performance in Ed Wood though!), but because of the perfume that came under her hands. Lovely is everything a celebrity scent wants to be, but more than that: it’s not only popular and fits beautifully with the character of the woman who created it, but also – it is original and oh so chic. It might just be the first interesting celebrity perfume since, say, Denevue (by Catherine Deneuve). If I missed something along the way, please let me know.

The first thing that strikes me about Lovely is the unusual use of lavender and patchouli in such a light hearted context. This was no tutti-frutti fragrance as you may expect judging by the hundreds of perfumes (even more so with celebrity and drugstore fragrances) released recently. It had an original, elegantly rough edge to it. Lovely is modern chic, sharp like clean-cut like a tailored suit, yet flowing like a satin gown. It’s prettied-up only by an ornamental fabric rose - and more importantly, the bright smile of the person who wears it. Despite the fact that it does have florals, it is not floral in the traditional sense of the word. You don’t think of flowers when you wear lovely. If anything at all, you think of textures and fabrics such as crepe and linen and dull, brushed silk.

Now, about a year after its release, my patience to hold off a purchase has paid off: a new version has been just released. It’s the same fragrance, only based in an alcohol-free, silicone-based medium, and titled “Lovely Liquid Satin”. And liquid satin it is indeed. This formulation allows for a softer presence without the alcohol that usually interferes with the top notes, and also the bottle is truly lovely – a frosted, light pink hued bottle, or a golden “perfume wand” – a roll on of 30ml that fits into any purse or pocket. I am a big believer in small packaging for perfumes, so I was sold quickly on this one.

The opening of both formulations is a heady and clean, crisp mélange of rosewood, lavender and apple martini. The apple martini note is brilliant. It really adds an unusually vivid, effervescent quality to the opening and thankfully lacks the mustiness that some other apple scents uphold.* It’s boozy only in an elegant way – like sipping on the cocktail to appreciate the flavour, without getting drunk.


Dietrich satin, originally uploaded by klsanderson.

The Liquid Satin has a slightly different opening, in which I can detect top notes of lemongrass (which I do not smell in the alcohol based fragrance), which is sharp and grassy, but thankfully fades out rather quickly. The patchouli note is also more pronounced at the opening. I have a feeling that this silicone based version is more true to the original concoction made by Sarah Jessica Parker herself. It just has that authentic impression of a perfume enthusiast blending scents together that will bear her own character.

The heart notes are abstract florals – orchids and paper whites. Paper whites are not fancy silken paper sheets as I was almost lead to believe, but rather refer to a flower from the narcissi family - Narcissus Tazetta whose odour is described by noses as "Rich, thick and creamy, this warm fragrance envelopes you in a soft, floral jasmine like glow". I can’t say that I smell narcissus in there, but there is a light floral impression that is hard to describe. As I said – abstract.

These soft, ethereal florals bridge into an even more abstract base of highly processed patchouli (dry and clean rather than earthy and musty), amber and musk – together resulting in an effect that is very close to the skin. An original, clean musk skin scent, subtly surrounding the wearer with a mystifying aura that is clean and pleasant. I prefer the Liquid Satin over the alcohol based formulation. Although the scent is essentially the same, this version is softer and even more subtle.

Lovely has been compared often to Narciso Rodriguez, and while I agree that they are very similar, I still think of Lovely as an original fragrance. These are both light musk scents, very modern and abstract, with a suggestive floral heart, and an effervescent, boozy opening. But Lovely has a certain dry, almost rough edge to it that makes it stand apart and prevents it from looking like an imitation of Narciso Rodriguez (which I intend on reviewing very soon).

Celebrities and their scents come and go, but there is something about Lovely that makes me want it to stay. And if it wouldn’t stick around forever, I am certain it would be talked about and missed and longed for much like other old favourites that have disappeared into the abyss of discontinuation.



Top notes: Rosewood, Apple Martini, Lavender, Madarin, Lemongrass

Heart notes: Paperwhites, Orchid

Base notes: Patchouli, Cedar, White Amber, Musk

Bottle & pearls image from Nordstrom.com








*My nose finds that Be Delicious is the queen of musty apples, and I just can’t even sample it without thinking all the time of biting into a perfectly round from outside apple, with a completely rotten core; a disappointing experience I am not particularly enthused to experience the perfume version of.

l'Instant: Magnolia and Honey


Magnolia/ Tulpenboom, originally uploaded by Gerard Bijvank.

I strongly resisted l’Instant when it just came out. It just was so not Guerlain. My first impression of it was of an unwanted (yet pretty) step-sister to the other Guerlain scents. Young and inexperienced rather as opposed to the sophisticated style that the other Guerlain scents radiate. Although l’Instant did not win my heart when I finally took on to wear it for a full day and notice its evolution, I did discover a beautiful magnolia scent – the trademark of its creator, Monsieur Maurice Roucel. L’Instant is a Floral. If anybody tells you otherwise, don’t believe them: this is not a “modern oriental”, in fact, it is not even what I would call floriental.

L’Instant is a scent that revolves around the theme of magnolia: sweet and honey like without being cloying (an element which the citrus-honey note supports); Iris to accentuate the fluffy powderiness; and a benzoin-vanilla base to maintain the sweetness as much as possible.


HONEY, originally uploaded by chrissie2003

After application, I instantly recognized something familiar. It took me a while to get it - Tocade! Indeed, the two perfumes do share some striking similarities: both contain magnolia, bergamot, orris and vanilla. Tocade has a lot of roses, and in many aspects this is the main difference between the two. In fact, l’Instant is so similar to Tocade that I am surprised nobody picked up on it before. I will not be surprised if it is a tweaking of the Tocade formula – accentuating the magnolia rather than the rose and being a bit lighter on the powdery notes, with the addition of the new notes – like the crystalline musk and the citrus honey. The two also share in common the clean, crisp synthetic bergamot top note.

As the scent evolved on my skin, I got occasional familiar whiffs of pleasant memories – one originated in a magnolia body milk splash I had about 7 years ago, and the other was almost identical to a festive jar of lemon-scented honey (citrus honey with the addition of lemon flavour). Citrus honey, by the way, is honey which is produced form citrus flowers, and it usually has a much lighter colour and flavour than other types of honey.

Overall, l’Instant is a sheer and cheerful modern floral; Very pleasant and easy to wear even if not at all sophisticated or complex like most Guerlain scents are. I would take this any time over most of the recent (non-boutique) Guerlain launches such as the Aqua Allegoria line, myriads of other fruity, floral and ambery-floral modern releases, and definitely won’t hesitate to pick this one over Insolence in an instant!

The crystalline base adds a somewhat aloof sensuality and sweetness – that is not unlike other modern orientals and florientals (i.e. the base in Addict, Nu, Kingdom and others).

Top notes: Rosewood and lilac notes, Bergamot, Mandarin
Heart notes: Magnolia, iris, citrus honey with some light lemon and orange blossom notes
Base notes: Benzoin, Vanilla, Crystalline Amber.

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