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SmellyBlog

Joy


05073006, originally uploaded by madamlemon.

The kind of perfume that might make you see fireworks when you kiss it. First time I’ve worn it this is exactly what I did: I happened to stumble upon a small bottle of the EDT in the drugstore, and bought it on the way to watching the fireworks festival on the beach. Of course I opened the package right away and worn it. It was summer. And Joy EDT smelled like peach, lily of the valley and a lot of jasmine and rose. It was a nice date, but I didn’t feel like it was “the one”, despite the fireworks…

Years later, I was fortunate enough to sample the parfum extrait from a perfume friend. This was a completely different story: carnal jasmine underlined with carnal civet. The repetition here is intentional, as carnal it was. When the opportunity rose, I ordered a new bottle via eBay. I opened it and tried it and was terribly disappointed: something terribly powdery was lingering at the top. The juice felt somewhat overly fresh… As if the components haven’t married quite into what I sampled (which I am now certain has matured somehow more after the flacon was opened). The aldehydes seemed disturbing and the florals seemed cloying and disharmonious somehow. Yet the dry down was the right thing, so I knew the juice had the potential… Besides, one can’t just skip on a classic and dismiss it just because of several wearings. Give it a chance and try it another time or season. It may win you over.

And so I did. Yesterday night, as I was writing, I felt like Joy. I dabbed some on, and between the heat, the dim-lit room and the contemplative writing, I discovered my new affection for this classic that survived The Great Depression and the age of celebrity perfumes (Joy was created in 1930, by Jean Patou's in-house nose Henri Almeras).

It starts with peach aldehydes and heady powdery top notes, and quickly moves into an opulent floral bouquet of jasmine, rose de mai, and a bit of lily of the valley. The base is ever so luscious and carnal, drenched in civet and adds a pulsating raw energy to what otherwise would be just a polite fruity floral. Even though the jasmine is a heart note per-se, in this perfume it is present in all the phases: top, heart and base. First it is more heady and slightly green, and as it dries down it becomes more indolic until finally it becomes soft, even ambery.

I believe it is best worn on a balmy evening for a candle-lit dinner on the patio of a fine restaurant. If you prefer to smell the dewy rose de mai, you may prefer the Eau de Toilette or simply wear it on chilly winter days to your boardroom meeting. But don’t be surprised if your colleagues won’t be able to concentrate on the agenda.

Top notes: Peach, Aldehydes

Heart notes: Jasmine from Grasse, Rose de Mai from Grasse, Lily of the Valley

Base notes: Civet, Sandalwood, Musk

Image of Joy vintage black glass bottle from Parfums Raffy.

Diorissimo

Diorissimo is the essence of spring, and as it’s genius creator Roudniska has said, it captures the scent of the flowers as well as the natural atomsphere where the little modest flowers grow - green foliage and damp and chilly forest floor.

Diorissimo evokes an instantly cheerful mood and a happy and positive attitude as soon as it delights with its presence. It radiates a certain pure and youthfully innocent quality that makes it a perfect scent for initiating young girls into the world of perfumery, and perhaps even seducing them into a premature wedding with its intoxicating and euphoric scent.

As an Eau de Toilette, Diorissimo is a soliflore lily of the valley, in fact – the only one that I smelled so far that captures the scent of the crisp little white bells without smelling headily synthetic and develop into a flat, shallow nuisance on the skin.

In the Eau de Toilette I can smell mostly the galbanum, boronia and jasmine, all in a supporting role to the heady scent of freshly picked lily of the valley.

The pure parfum, however, has a more deep and less single-floral feel to it. The rose and jasmine are more dominant and the boronia works really well in accentuating the green and fresh spring qualities. I have also detected certain amount of oakmoss in the base. It is very subtle - but I think it does what it needs to do. I used to like the EDT much better, abut now I prefer the parfum.

Top notes: Green Glabanum notes
Heart notes: Lilly of the Valley, Boronia, Calyx, Rose
Base notes: Jasmine, Sandalwood, Civet
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