s

SmellyBlog

Spring Essentials - Part One: Florals


Joy, originally uploaded by tearoom.

Wether the weather agrees with it or not, it’s spring time, and it’s time to enjoy some fabulous fragrances that emphasize the season’s best traits. Some of which are obvious, like flowers and greenery; others are more subtle and elusive, having to do more with the role of spring in revival, resurrection and renewal of both body and spirit.

Spring means flowers. Yes, it’s a cliche but it’s true! And different flowers bloom in different parts of the world, so this can be an opportunity to tune yourself in with nature and adorn yourself with similar scents. There really couldn’t be a better time in the year to douse yourself with a floral bouquet or a single note; preferably of lighter, brighter floral notes. Light white floral notes such as jasmine, orange blossom and mimosa reign my spring fantasies, but it may be different for you depending on your own favourite florals and the particular blooms that inspire your environment.

Back home in Israel, at this time of the year the air is permeated with the heavy blossoms of wild flowers, mimosas and orange blossoms. Wild flowers are difficult to mimic in perfumery, and rarely have been as far as I know. When visiting my home country in the spring, I always make sure I bring with me my orange blossom perfumes - Jo Malone’s Orange Blossom Cologne for its citrusy freshness; the abstract Narciso Rodriguez; the mysterious Orchid from Aftelier; and finally, my very own all-natural perfume Zohar, which is inspired by the orchards in full bloom. As far as mimosa goes - I like mine light and sweet, such as Mimosa pour Moi or Les Nuages de Joie Jaune.

Here in Vancouver, the scents floating in the air are mostly of cherry blossoms, magnolias, blooming bushes and spring bulbs: hyacinths, tulips, daffodils, and Madonna lilies. My Vancouver spring essentials for colder days include KenzoAmour for it’s sweet cherry blossom scent, Farnesiana to remind me of mimosa but in a warm almondy-cherry-like way. Flower by Kenzo is another interesting choice for a warm, powdery floral that is again heliotrope laden (combining vanilla sweetness with a hint of cherry/almond like bitterness). For crisp, bright spring days I may prefer delicate soliflores such as Ofresia (Diptyque’s freesia soliflore) or After My Own Heart (Ineke’s lilac soliflore, underlined with raspberry, heliotrope and musk).
But in no doubt, my favourite floral discovery this spring is the perfectly balanced, all-natural perfume Waterflower by Liz Zorn - a floral that is never too pretty yet oh so delicate and has a balanced underlining sweetness that makes it very wearable in the often less than hospitable Vancouver spring weather.

The Many Colours of White


Gardenias, originally uploaded by Jim-AR.

"Dear Ayala,

First, I would like to say that I very much enjoy your perfumes (Fête d'Hiver is my favorite!) and your blog, and that I hope you are having a blessed holiday.

I know that you are an expert on perfumery, so I would like to ask a question that would settle a debate I am currently having. The question is: Is Lily of the Valley considered a white floral? My friend insists that it is, but I have never thought of it that way. To me, a "white floral" has always meant the heady scents of tuberose, orange blossom, and jasmine, with those wonderful, indolic aromas. Lily of the valley doesn't seem to fit there. I have always thought of it as a fresh floral note.

Thank you so much in advance,

Elizabeth"

Dear Elizabeth,

Thank you so much for your email – I am very pleased to hear you love Fête d'Hiver and are enjoying my blog!
I hope you have a wonderful holiday too!
As for the floral debate - you are right - Lily of the Valley, although white in colour, is considered "green" in terms of its fragrance.
The langugage of perfumery borrows terms from other art forms (i.e.: the “notes” of music) and senses, such as taste (sweet, sour…) touch ( textures such as soft, sharp, powdery) and sight (colours such as green and white).
Green florals tend to be heady and piercing, sharp, with a crystal-clear association to fresh flowers and greenery (as in the flower shop). Lily of the Valley is one of the best example for a “green floral” note. The reknown perfumer Edmund Roundiska described his perfume “Diorissimo” (in my opinion the most true-to-nature rendition of Lily of the Valley) as depicting not only the flower, but also “the forst where it grows”.
Other floral notes of the green floral category are hyacinth, linden blossom (which, like lily of the valley, is high in its farnesol content), neroli (orange flower essential oil), violet leaf, boronia and freesia. Although some of those are still "heady" and some may even have a fair amount of indole, they have very strong fresh and green elements which render them green rather than “white” in that context.

White florals are the indolic, narcotic, heavy and heady floral notes, at times also creamy – jasmine, tuberose, ylang ylang (even though its colour is yellow!), orange flower absolute, narcissus, jonquile (again, this flower is yellow in colour), etc. Lilies are another great example – even though some lilies are pink or orange (like the tiger-lily), their scent is so heavy and narcotic they would be considered white florals as well.

Warm regards,

Ayala

Layering Fragrance - with Style

Long time ago in a middle-school far away in the 80’s, 12 and 13 year old teenage girls would create layers of colours in their clothing by wearing their clothes out of order (the short sleeves or tank tops on top of the long sleeves) or folding the undershirt’s sleeves over an overly open necklined sweater to make the colours of the under layers show on top. Layering has since evolved into a far more fun, loose and creative way to mark one’s individual style – turning even the most mundane pieces into something special simply by the way they are put together.

While this works fantastically well in fashion, and is an interesting way to put into use and create a new look out of many different favourites without looking indecisive, the perfume equivalent of layering is not quite as exciting for the most part. Not in my opinion, anyways. For several reasons: One, being the performance of layered fragrances. I feel that just like wearing a long sleeve shirt under a sweater, you see the sweater but you don’t see the shirt. Not quite, anyways (unless the sweater is very loosely knit or has holes). When I layer scents that work well together, I always smell the top one (the last one applied) better than the first one. The first one will remain very much in the background. Perhaps there is too little time for the scents to truly interact and for their molecules to bond and create something new.

Two, and this is the most disturbing one – is that more and more perfumes are released as a collection, exactly with the idea of layering in mind. Part of it could be a way of getting more attention in the very saturated market. But the result is - guess what? - an even more saturated market, with less and less perfumes that stand on their own rights.

To me, a perfume should be a complete entity. An olfactory story with a beginning, middle and end, and unique characters (notes) interacting within. This is scarcely found in collections that were designed for layering. One reason being that in order for the perfumes to interact well with one another without clashing, they should be simple enough to not provoke an olfactory dissonance when blended.
I would like to suggest a different approach to layering. One that is still fun and creative, but a little bit more sophisticated and takes into account that we deserve to wear complex and rich fragrances that can stand on their own. But we are also entitled to some fun and playing with them sometime too!

Instead of layering fragrances on top of each other, in hopes that they will create a new scent – create layers that peak through one another, sometimes overlapping and other times standing on their own so you can enjoy the scent the way it is. This can be done by wearing different fragrances on different parts of the body. I discovered this can be truly fun when I encountered several body products that I really liked their scent, yet seemed mellow enough to accommodate another fragrance on the wrists. Don’t forget to take into account your shampoo or conditioner or any other hair product. Many of them are so highly scented, that they should be considered when you design your olfactory aura for the day…

Azuree body oil goes fantastically well with a light spritz of Chinatown. The two scents have very little in common, but the result of the mix is sultry and exotic.

I find that Lovely body spray or Liquid Satin applied as a body spray is fabulous with Chanel's No. 19 Eau de Toilette applied to wrists and other pulse points. This is particularly fabulous on a hot day.

I’m also very fond of a few of Aveda’s haircare and styling products. Here are a few that have quite a significant scent on their own and a perfume that pushes them to the background to create a mood for a perfumed centerpiece:
Air Control Hair Spray:
This dark and rich spray could be worn as a fragrance if only it wasn’t so sticky (well, that’s how a hairspray works, right?). The dominant note there being labdanum, it is very sweet yet earthy. I like to wear it with Youth Dew parfum dabbed carefully on the wrists and behind the ears. This is best in cooler weather.

Aveda’s Sculp Benefits conditioner has an intense vetiver aroma, and can be a nice way to balance the sweetness of a chocolate based perfume such as Comptoir Sud Pacifique’s Amour de Cacao.

And their Elixir leave-in conditioner smells mostly of ylang ylang and geranium. I like to use it to keep me hair smooth in an up-do when a little black dress, pearls and a dab of No. 5 extrait is required...
Alba Botanical’s Coconut Milk Body Cream serves as an excellent companion to tropical white florals, such as Songes by Annick Goutal.

And Jo Malone’s Vintage Gardenia goes on the skin particularly well with a little caffeine boost from Nyakio's Kenyan Coffee Sugar Scrub. It actually layers quite well with Black Vetyver Cafe too (The only way it makes me close to satisfied with layering these fragrances on top of one another is apply a spritz of Black Vetyver Cafe sandwiched between two layers on the Vintage Gardenia - one on the botton and one on the top). I really wish there was a Black Vetyver Cafe bath oil to use instead...

Crabtree & Evelyn's Lemongrass & Brown Sugar sugar scrub is an interesting combination between a body butter and a sugar scrub. It has a rich lemony scent supported by impressive amounts of frankincense and peru balsam oil. The latter appears also quite significantly in Opium Fleur de Shanghai, which explains why the two are so great together. An interesting combination of freshness and luxurious resins...
I also like to wear the same sugar scrub in a gloomy winter day to uplift my spirits, and add a dab of No. 19 parfum, worn with a mossy woolen sweater...

What I enjoy about these layering combinations is that I've found a way to pair together a scented body product whose fragrance I enjoy, along with a favourite fragrance - yet the two complement each other rather clash together. When wearing them this way, I can always bring my wrist to my nose to smell the perfume alone, while overall, I just smell the two interacting and wrapping around me, creating a new fragrance aura.

* Images illustrating this articles are courtesay of Susie Bubble, AKA The Layering Queen of Style Bubble - the most innovative and fun fashion blog you can find on the net.
Back to the top