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Narcissus, Third Round



While the starting point for this was clearly and simply winter, rain and narcissus, it strayed a bit and became more floral. A turn of events that was most welcome.

I began with a core statement of narcissus absolute, on a backdrop of wet-woody, mushroomy and unusual tree notes: pinewood, fire tree, green spikenard, pinemoss and a tinge of bourbon vetiver. To add more body to the narcissus heart, and make it more floral and less spicy-green, I've decorated it with a hint of rose and ylang ylang. Palmarosa and Szechuan pepper add a lift, and also a unique floralcy to the top notes. In addition, I've utilized liatrix absolute in the base, to give a diffusive sweetness. The latter made it feel too "perfumey" in an old-fashioned, powdery way*. So I had to start another bottle, again.

But I have to admit: coming back to it now, many months after its creation (it was made in early March 2014), the liatrix mellowed a bit, which is nice of her. It has a more distinctive, green-floral yet a little juicy-sweet and almost refreshing at the same time. Together with the Szechuan pepper, it gives off more of the crushed-leaves feel in the beginning, despite the lack of glabanum - which is a nice surprise in my book.

* Kinda like Rive Gauche or Je Reviens - great perfumes, but with loads of coumarin that makes them feel quite dated and heavy for today's tastes.

Spice Pirate

Épice Marine arrived after much anticipation (it's about 4 months late) to the Hermès boutique on Burrard & Alberni in Vancouver. The name alone, suggesting a study in contrasts, promised intrigue; and ocean being one of the greatest sources of inspiration for me, I was very much looking forward to experience Jean-Claude Ellena's take on it.

The first imagery that the fragrance conjures for me is that of a spice pirate ship with an unusually scrubbed-clean deck. The distinctive character of calone gives a metallic backdrop to warm, diffusive spicy notes of cumin and cinnamon. It's as unexpected as the lime and cloves combination in coke; but unlike the beverage - there is no sugar to mediate between the two edges; and the feeling is of two separate entities - rolling in heaps of warm, powdered spice against the a sharp and cold stainless steel blade. Lemony notes of bergamot combined with Szechuan pepper come to the fore and give temporary relief from the fishy odour of calone, but not for long. Spacious hedione combined with slightly indolic jasmine notes, and accentuated by a distant breeze of seashore at low tide contribute another point of intrigue. But only long enough for me to figure out what it reminds me of...

The piracy goes deeper than that briney scene at the deck: the composition is a mirror image of Edmond Roudnitska’s first perfume for the company (and now sadly discontinued) - Eau d’Hermès. It is no secret that Jean-Claude Ellena is infatuated with this Roudnitska creation, and in Terre d’Hermès it was explicitly stated. Of course influences are fine - especially when the nose in question was the student of the great master. Besides, being an Eau d’Hermès lover, why should I care if there is a similar perfume offered by the same house?

The reason is, that there is something a bit off about this scent. It does not feel balanced, the use of calone make it smell generic and lackluster. And to me this feels almost like a mockery of the original, rather than an homage. 

Once the confusing impressions of this perfume's opening lines fade away, I'm left with a very generic marine scent that sort of has a presence just enough to distract me occasionally, but never to delight or intrigue any further. And by the time we get to the dryout, it is very faint already. The notes chosen are not the issue. It's the composition and the harmony - if only there was more room for the seaweed absolute and oakmoss to speak up, the saltiness of the dryout would have been more prominent, evocative and memorable. Seaweed absolute is an extremely difficult note to work with, but I still wish it had more presence. It would have made this truly a piece of art, rather than a conceptual, light and crowd pleasing fragrance. 

I realize this is not the style that Ellena is after with the Hermessences,  but in this particular case it feels like a missed opportunity. Épice Marine is perhaps the only perfume that's truly intriguing in this collection, telling a story that can be relatable to others besides the creator and with fascinating raw materials to paint that picture. It has all the making of an interesting perfume, except that it doesn’t work. 




Top notes: Cinnamon, Cumin, Calone, Bergamot, Szechuan Pepper
Heart notes: Hedione, Jasmine
Base notes: Seaweed Absolute, Oakmoss

New Discoveries

New Discoveries by Ayala Moriel
New Discoveries, a photo by Ayala Moriel on Flickr.
Monday was spent on the road mostly, doing a round trip to Seattle to reconnect with the West Coast indie perfume community, and smell some new raw materials. The fresh Szechuan pepper essence pictured here made the trip worth my while, but there were some other fascinating raw materials worth writing about.

Elemodor: fraction of elemi resin, which possesses no resemblance to its origin, with only the slightest hint of resinous woody. The best way to describe it is as orange zest and juice on speed.

Elemi (Canarium luzonicum): Sharp, crisp, like lemon and black pepper combined, and also with hints of both cilantro leaf and pink peppercorns.

Tobacco absolute: Time and time again, I'm surprised at how muted tobacco is. It can easily disappear in a blend, and it sometimes seems as if the more you add, the less you'd smell of it. A challenging raw material to work with, but powerful and very elegant when used properly. Although it does not have a very strong odour intensity or diffusive power, it is a distinctive note, reminiscent of freshly cured tobacco leaves (read: not stale!), fermented hay in a meadow, and with an undercurrent of animalic energy. A truly good tobacco bring a sense of reverence and reminds me of the original use of this as a sacred, medicinal plant.
Please note that this absolute is nicotine free, unfortunately, so don't try this as a substitute for your nicotine patch!

Cypriol/Cyperus/Nagramotha (Cyperus scariosus): from the vetiver family, this root oil possesses as urpentie, sharp top note, woodsy-dry base, and a very clean, elegant dryout reminiscent of the hint of tart freshness of Haitian vetiver.

Bois des Lands or Pinewood is a co-extraction of French pine resinoid with a Virginian cedarwood oil. Smells of wood, mushroom-y forest floor, moss and a tiny smoky, with a cheese-like fermented undertones. Dries out to a woody-balsamic finish.

Cedarwood fraction: From Texas cedarwood. Sharp cedar note, a little sweaty-herbaceous reminiscent of oregano.

Olibanum Wood: co-distillation of olibanum (frankincense resin) with Virginia cedarwood, which creates an interesting new note that is more stable and woody, more reminiscent of dusty frankincense tears rather than the oil or the smoke.

Vanilla CO2 with 20% vanillin:  This is just about as sweet as one can get, in a very elegant way.

Ambrette Oil (Abelmoschus moschatos): High content of ambrettolide, resulting in a typical "white must" scent without the skin-like, buttery, nutty and wine-like quality of most ambrette seed essences. 

Szechuan Peppercorn, Fresh: Green, floral, surprisingly citrusy (reminiscent of ruby red grapefruit, bergamot  and yuzu), tomato leaf and yerbamate. Very distinct, fresh and tenacious.

Poplar Buds Absolute: Honeyed, boozy, hops-like, hint of cloves, dominant propolis note, hint of nutritional yeast odour.

Mimosa Olessence: Gentler extraction method, resulting in a more true to the flower profile. Reminiscent of almonds, marzipan, hints of fennel, floral, woody and clean.

Elderflower Absolute: That nutritional yeast note again, with only the tiniest hint of what the fresh flowers are all about - cassis-like and floral. More like hay than a flower overall. Similar to linden blossom absolute, which also presents a similar problem.

KF1150: Isolate that smells grassy green and sharp - like a combination of gasoline and freshly cut grass. Your dad is going to love this!

Black Tea Absolute: Smells like a wonderful container full of fresh Assam tea, maybe hints of Darjeeling too.

Eucalyptus Forte: Combination of of solvent extraction and molecular distillation. Green, balsamic, eucalyptus pods, hints of animalic/indolic quality, surprisingly. Very tenacious, resinous-woody-balsamic dryout.

Just a little glimpse into where a perfumer's palette can expand.
And that's all, folks!

Sanshō

My friend Noriko brought back surprises from Japan: vintage kimono fabrics, pickled cherry blossoms (!) and two new essential oils of indigenous Japanese plants that are very unlikely to be found anywhere else.

One is Asunaro, which smells like a cross between hinoki and hiba. The other is sanshō leaf (Zantoxylum sansho) - the leaves of a plant related to Szechuan peppers. And what a surprise! It smells nothing like what I'd expected it to be. It was rosy and fruity and citrusy - very much like geranium leaf! Because I only have precious 2ml of this I was very hesitant to put any on a blotter... But I finally broke down and smeared a tiny smidgeon of a dot on a scent strip now, and it's revealing more facets of green and spicy fresh aromas, reminiscent of fresh ginger root and ginger lily.

Fresh sanshō leaves are used in Japanese cuisine to garnish vegetable dishes (notably bamboo shoots) and to garnish soups. The dried leaves are used in noodle dishes. The fresh berries and flowers of the same plants are also used in Japanese food in various ways. In the above photo, sanshō leaves decorate oinarisan - a rice ball flavoured with yuzu (Japanese citron) and wrapped in bean curd. I can easily imagine it going very well with citrus and wish I knew where I could get a taste of it for real.

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