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Biche dans l'Absinthe


Astute Deer, originally uploaded by Razzy Raz.

Doe through the Artemisia bushes… Her coat glows in the warm autumnal sun. Freedom is happiness. And the single notion that being is all there is to life.

Victoire Gobin-Daudé, a gifted French independent perfumer, who unfortunately whose line was discontinued, unfortunately, uses only natural essences in the five perfumes she released to the world to enjoy for a limited period of time.

Biche dans l’Absinthe offers yet another perspective to the bittersweetness of green and aromatic fougeres: the pairing of animalic with herbaceous.

Opening with sweaty notes of cumin and the underlining warmth of immortelle, the doe has just paused from a brisk morning gallop in fields of semi-dry hay. It is mid Autumn, and the first sunrays are warming her shiny coat, releasing steam of animal sweat and morning dew from the surrounding vegetation. Citrus notes play a subtle role of diffusing the bitterness of Artemisia (absinthe) while bergamot creates a soft powdery aura, complementary to the cumin.
There is a hint of floral in the heart, alongside the Artemisia. It might be orange blossom, or perhaps neroli. It is very subtle and is present only to soften and blend the phases together. The base is at once dry and sweet – with dried tobacco leaves, the abovementioned immortelle and its animalic yet herbaceouse-dry sweetness, and hay of course, for a good measure of coumarin and nourishment for the doe so she can run freely on my skin for hours to come.

Top notes: Lemon, Cumin, Bergamot, Lemon Leaf
Heart notes: Artemisia (Absinthe), Neroli, Lavender Absolute
Base notes: Tobacco, Immortelle Absolute, Hay Absolute

For more information about this line you can try to contact:
Gobin Daudé Parfums
34, rue de Penthièvre
75008 Paris
Phone : 33(0)142250386
Fax : 33(0)142250669
Email : gobin.daude@wanadoo.fr
Manager : Victoire Gobin-Daudé
Sales contact : Christophe Bourgeois


Immortelle l'Amour

Fiery flower withholds
the moments of untold love
Written with the flames of phoenix feather
Leaving ashes forming into letters
Our walk was interrupted by the ghostly winds
and misty sea spray remained on our breath
Two hearts warming to the dancing flames in a fireplace
Skewered together with that same bleeding feather
Their longing for a kiss freezes on the snow
Like Tire sur la neige






The maple-like nuances of immortelle absolute are used here along with sweet orange, cinnamon, wheat and three different infusions of vanilla, creating a perfume that truly captures the aroma of cinnamon-pancakes and Tire d’Erable (“taffee on the snow”), an inseparable part of the Quebec heritage in the Maple Harvest Festivals. You’ll find it hard to resist licking this perfume, but it will prove to be a true friend for a love-injured heart. Immortelle l'Amour will be available as parfum extrait and in a tea-form.

Top Notes: Sweet Orange, Cinnamon
Heart Notes: Rooibos Tea, Broom
Base Notes: Immortelle, Vanilla, Wheat

* Immortelle l'Amour will be launched for Fall-Winter 2007-2008, along with a complementary tea blend, and will be available exclusively through Ayala Moriel Parfums starting November 2007.

More About the Inspiration of Immortelle l'Amour

Immortelle l’Amour, my new perfume created for the chilly fall and winter months tells the story of undying love. The formula was ready long ago, yet it was particularly difficult for me to name the perfume. Although I had a few names – all with an equal appeal of both meaning and sound – I had to choose the right one and know it’s right before releasing the perfume. When it comes to matters of love, it sometimes takes courage to say the truth. And so I ended up with the name that seemed to me, at first, to be too romantic, bordering on the cliché… Once I realized this is the right name, the best to describe both the botanical and inspirational origin of the perfume, I felt the time was ripe and it was just a matter of picking a particularly chilly day in November to release it to the world and add some warmth when its most needed.

Immortelle l’Amour was inspired by the immortality of true love and the unique aroma and energy of the everlasting flower – Immortelle. Immortelle is also known as helicrysum or everlasting flower. The essential oil is prized for its unusual healing properties, including pain relief and skin rejuvenation. The Latin name Helicrysum points to its connection to the sun and its own healing properties, bringing a soothing warmth to the soul.

In Immortelle l’Amour, the helicrysum (immortelle) flower absolute is used as the main theme for the perfume. Unlike the essential oil of helicrysum, which is herbaceous and honeyed (very similar to both chamomile and marigold), the absolute has a dark, ambery fragrance with a somewhat spicy-earthy underlining note, reminiscent of both fenugreek and maple syrup (incidenatally, both immortelle and fenugreek are used in the flavour industry to create a maple-syrup flavour.

The immortelle note is juxtaposed with a rich vanilla accord, using a few different varieties of vanilla: a dark absolute from Madagascar, a vanilla CO2 from Bourbon islands, and a tincture of vanilla which I made from plump vanilla pods (seeds and all) from Ghana. Another home-made tincture is used – that of red tea (rooibos), as this material is rarely available in the market as an absolute. Another interesting edible note that I’ve used is wheat absolute. It has a very subtle, iodine-like note, and along with cinnamon CO2 Immortelle l’Amour fills the air with an authentic warm cinnamon-waffles with maple smell… As it dries down, it feels as though an invisible maple taffee is spread upon the skin, sans the stickiness…

Names and Scents

It’s really nice when an olfactory idea and a name or a concept pop up in my mind at the same time (or approximately the same time). When this happens, all that needs to be done, is get to the organ and start working. In other words: materializing the concept, completing the task. This is how most of my perfumes are made. But not all of them. Sometimes, I have only an olfactory idea – an accord I know I want to use, or a certain quality the perfume is going to have that is different, but I just can’t quite put it into words.

This is where I am at now. The feeling is of a terrible dissonance. A mystery that must be solved. A search for something unknown, yet utterly important. There is a sense of urge, as well as a sense of receptiveness to the answer that might come when I least expect it.

As I have mentioned earlier, my current fascination is with minimalism. Making a perfume with the least possible amount of notes to make it a perfume. This have proved wonders in my Film Noir, and I was just as pleased as I was surprised with the result, which left me with a craving for more

More gourmand notes. Bust just few of them. More bold statements. More voluptuous lusciousness of dark tones and hues. More of less is more.

I am now in an adventure, and this adventure is taking me to the dark and sweet mystery that the sun infuses in the everlasting flowers, extracted into Immortelle Absolute. This and vanilla. And wheat. Not much more than that, as the cup full of heavy brandy may tip over and spill if I just add a tad of unnecessary nuance.

Only time and patience will lead me to the right doorstep, and than I will lift my head and see a sign on the door with the name of my next perfume on it.
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